Five prints have a single word centered on the print, e.g., smell, see, taste, touch, and hear. The last sheet is blank. -- Source of annotation: Marvin or Ruth Sackner.

Printed for Selenitsch's 50th birthday. -- Source of annotation: Marvin or Ruth Sackner.

This work depicts a simple diagram based upon Marcel Duchamp's "Nude Descending the Staircase." -- Source of annotation: Marvin or Ruth Sackner.

Houedard indicates that the reversal poem card that was designed for the LYC exhibition (also held by the Sackner Archive) could not be printed because of lack of funding. -- Source of annotation: Marvin or Ruth Sackner.

Houedard indicates that the reversal poem card that was designed for the LYC exhibition (also held by the Sackner Archive) could not be printed because of lack of funding. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was designed by Dianne Fogwell. Works that are illustrated in here and held by the Sackner Archive include "Real Estates of the Heart" by Ruth Cowen, "Typewriter Series" by Jennifer Hawkins, and "Australian Poet." -- Source of annotation: Marvin or Ruth Sackner.

Published in commemoration of a symposium "Blake in Melbourne." -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by pete spence and Raymond Cortese. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by pete spence. -- Source of annotation: Marvin or Ruth Sackner.

Spence describes meeting several German and American mail artists in Germany. Mentions that the Australian networkers might appear in a book by Klaus Peter Dencker in a German edition and perhaps in an Engish edition published by Thames and Hudson. -- Source of annotation: Marvin or Ruth Sackner.

This is an anthology of Australian concrete and visual poetry from well known and lesser known lights. Most of the poems were previously published in Australian small mags and the collection was well edited. -- Source of annotation: Marvin or Ruth Sackner.