This catalogue uses the layout of the magazine, "Intermedia." -- Source of annotation: Marvin or Ruth Sackner.

This might be a unique typed book. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this assembling deals with love mostly in conceptual terms. -- Source of annotation: Marvin or Ruth Sackner.

The paper was made with notations, writings, and pictures from Johann Strauss' "Netopyr." -- Source of annotation: Marvin or Ruth Sackner.

The first Sackner catalogue photocopied from typed paper sheets (1980), according to Kocman as typed on the colophon "was torn in to small fragments and threse were crushed by grinding in water on mixer. From this pulp handmade paper sheets were made and from these sheets a new book was bound. -- Source of annotation: Marvin or Ruth Sackner.

Kocman made a diagonal cut across all the pages of a physics laboratory calalogue distributed by W. Hruby in 1913 (as on the cover). This book bears a relation to Buzz Spector's book object, "The Outline of Art" (1982) who tore each page at progrssively closer edges to the right hand border. -- Source of annotation: Marvin or Ruth Sackner.

Kocman made a diagonal cut across all the pages of a physics laboratory calalogue distributed by W. Hruby in 1913 (as on the cover). This book bears a relation to Buzz Spector's book object, "The Outline of Art" (1982) who tore each page at progrssively closer edges to the right hand border. -- Source of annotation: Marvin or Ruth Sackner.

Kocman requested the Sackners to send him five paperback copies of Kafka's novel "The Metamorphosis" and that he would return a surprise to them. The novel describes the tribulations of Gregor Samsa who as he "awoke one morning from uneasy dreams found himself transformed into a gigantic insect..." Kocman took the books that the Sackners had sent him, pulped the pages and formed handmade paper pages bound them into a book literally metamorphosizing "The Metamorphosis." This work was exhibited at the Agnes Scott College Gallery, Atlanta, January 2001. -- Source of annotation: Marvin or Ruth Sackner.

Mentions that works by Kocman are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This booklet in concept resembles booklets made by Wally Depew. It was probably made by dipping the blank pages of this booklet into diluted planaxol. planaxol is a special resin glue for manual perfect binding of most paper grades as well as for many other adhesives work with paper, cardboard, textiles, etc. The booklet is rubberstamped 241 on the back cover. -- Source of annotation: Marvin or Ruth Sackner.

This booklet in concept resembles booklets made by Wally Depew. It was probably made by dripping planaxol onto a blank page of the unassembed booklet. Planaxol is a special redin glue for manual perfect binding of most paper grades as well as for many other adhesives work with paper, cardboard, textiles, etc. It is rubberstamped 157 on the back cover. -- Source of annotation: Marvin or Ruth Sackner.

This project is composed of self-portraits of the 130 artists themselves, who participated in the first part of this portrait project (also a book) by sending a portrait of Robin Crozier to Crozier. -- Source of annotation: Marvin or Ruth Sackner.

Designated JHK/Book No. 099. Kocman states that he has utilized 18 strophes of the poem, each represented as one page in the book by blindstamping "Nevermore" on each page of black-gray handmade paper. A Strope is any separate section or extended movement in a poem, distinguished from the stanza in that it does not follow a regularly repeated pattern. -- Source of annotation: Marvin or Ruth Sackner.

Designated JHK/Book No. 099. Kocman states that he has utilized 18 strophes of the poem, each represented as one page in the book by blindstamping "Nevermore" on each page of black-gray handmade paper. A Strope is any separate section or extended movement in a poem, distinguished from the stanza in that it does not follow a regularly repeated pattern. -- Source of annotation: Marvin or Ruth Sackner.

Estra Milman assisted in producing the catalogue and exhibition. This book reproduces a section of Friedman's diary of rubber stampings. -- Source of annotation: Marvin or Ruth Sackner.