Nannucci, Maurizio, 1939-
Found in 68 Collections and/or Records:
11 Italienische Kunstler in Munchen / Walter Storms, curator ; Dadamaino ; Nannucci M ; Dias A ; Gastini M., 1982
170 jahre: 1985 bis 2005 / Bernhard Balkenhol, curator ; Jurgen O. Olbrich, curator ; Hainke W ; Nannucci M ; Ay-O ; Spoerri D ; Olbrich JO ; Patterson B ; Arts A ; Gerz J ; Ulrichs T ; Hainke W ; Warhol A ; Lichtenstein R ; Huebler D ; Jappe E ; Beuys J ; Penck A ; Ruscha E ; Vostell W ; Byars JL ; Mittendorf H ; Kabakov I ; Jones J ; Kaprow A ; Klassen N ; Lum K ; Tyson K ; Spoerri D ; Monro N ; Hamilton R., 2005
The 2000 Documenta exhibition of artist designed catalogues displayed in glass green houses is depicted in this catalogue and accompanying image for this record -- Source of annotation: Marvin or Ruth Sackner.
A la Fin Trouver le Mot du Commencement / Nannucci, Maurizio ; Gerz J ; Furnival J ; Diacono M ; Chiari G ; Gastini M ; Kolar J ; Spatola A ; Ulrichs T ; Ben ; Corner P ; Finlay IH ; Weiner L., 1994
This exhiition dealt with Nannucci's book and art works and those published by Zona and Exempla editions. -- Source of annotation: Marvin or Ruth Sackner.
All Art Has Been Contemporary / Nannucci, Maurizio., 2000
One card has yellow letters on a red background, the other red letters on a yellow background. -- Source of annotation: Marvin or Ruth Sackner.
Always Endeavor / Nannucci, Maurizio., 1997
The sentence on the recto by Nannucci states, " Always endeavor to find some interesting variation." -- Source of annotation: Marvin or Ruth Sackner.
Archive for Exempla Publications / Finlay, Ian Hamilton; Nannucci, Maurizio; Nannucci M., 1975
Art as Social Environment, 1978
The title is solely printed in red on the middle of each page; the pages are perforated at the left margin presumably to be torn out for a label. -- Source of annotation: Marvin or Ruth Sackner.
Artist-Run Spaces, 2012
Stored in Nannucci box. "This voume, subtitled "Nonprofit Collective Organizations in the 1960's and 1970's," gathers one of the first extensive research on artist-run spaces. Developed in collaboration with the initiators and founders of Art Metropole (Vancouver), Artpool (Budapest), Ecart (Geneva), Farnklin Furnace (New York) La Mamelle (San Francisco), Printed Matter (New York), and Zona (Florence), the activities of these interconnected points of an alternative network are thus introduced by figures such as AA Bronson, Lucy Lippard, Tom Marioni, and Maurizio Nannucci. They develop on the implications of new art practices, self-organizaion strategies, and politics of exchange." -- Source of annotation: Marvin or Ruth Sackner.
Artists' Books, Cento Libri d'Artista Cento / Nannucci M ; Roth D ; Ben ; Spoerri D ; Kosuth J ; Ruscha E ; Filliou R ; Parmiggiani C ; Baruchello GF ; Broodthaers M ; Cage J ; Carrion U ; Costa C ; Flynt H ; Gerz J ; Higgins D ; Hidalgo J ; Lax R ; Iannone D ; Kriwet F., 1979
Ausstellungen 1977-1982 / Storms, Walter, curator; Gastini M; Dadamaino; Gappmayr H; Nannucci M; Dias A; Opalka R; Allen R; Girke R; Griffa G; Uecker G., 1982
Biographies of the artists are printed on the verso of the prints. -- Source of annotation: Marvin or Ruth Sackner.
Bianco=White / Nannucci, Maurizio., 1966
The word bianco is typed in two facing arrow shapes. When the dot over the i is obscured by a typed row, the work blanco appears. -- Source of annotation: Marvin or Ruth Sackner.
Biennale du Livre d'Artist e, 5eme / Nannucci M ; Queneau R ; Cueco H ; Harms D ; Karasik M ; Erro., 1997
Black / Nannucci, Maurizio., 1967
The prints have a black background and the word "black" or fragments of the word "black" printed on this background in a glossy black color. The word becomes bIgger and bigger after each printing such that by the final print it entirely covers the last print. -- Source of annotation: Marvin or Ruth Sackner.
Blending the Visible with the Invisible / Nannucci, Maurizio., 1993
[Card To Emmett Williams] / Nannucci, Maurizio; Williams E., 1978
The card is written on the verso of "sixty natural greens," a conceptual art piece. Nannucci asks Williams to make a contribution to his magazine, Mela. -- Source of annotation: Marvin or Ruth Sackner.
[Card To Richard Aaron] / Nannucci, Maurizio., 1977
Nannucci asks for a new catalogue of deluxe editions of concrete, visual poetry. -- Source of annotation: Marvin or Ruth Sackner.
[Card To Richard Aaron] / Nannucci, Maurizio; Burroughs WS., 1977
The long message from Nannucci to Aaron deals with contributions to Mela and a request to publish a William Burroughs piece. The letter is written on an announcement for the recording of Poesia Sonora that Nannucci edited. -- Source of annotation: Marvin or Ruth Sackner.
Collection of Original Works, Artists' Books, Editions, Ephemera / Nannucci, Maurizio., 1996
This is a listing of Nannucci's works available for sale including typewriter poems. -- Source of annotation: Marvin or Ruth Sackner.
Dattilogramme 1 / Nannucci, Maurizio., 1964
The image consists of a block of capital S's. The title and year are written in graphite on the verso. -- Source of annotation: Marvin or Ruth Sackner.
Additional filters:
- Subject
- Concrete poetry 12
- Conceptual art 11
- Visual art 9
- Artist book (citation) 6
- Documentation 6
- Typewriter art 6
- Typewriter poetry 6
- Visual poetry 6
- Calendar 5
- Repetitious text 5
- Aphorism 4
- Conceptual text 4
- Critical text 4
- Letter picture 4
- Artist book 3
- Optical image 3
- Abstract markings 2
- Artist book (limited edition) 2
- Calligraphic text 2
- Fluxus 2
- Language art 2
- Rubber stamps 2
- Sound poetry 2
- Text over text 2
- Visual/verbal 2
- Artist book (mass produced) 1
- Assembling 1
- Body art 1
- Calligraphic markings 1
- Constructivism 1
- Fragmented text 1
- Minimalist poetry 1
- Picture poetry 1
- Political poetry 1
- Punctuation poem 1
- Tautologic text 1
- Typography 1
- Video poetry 1 + ∧ less