Scope and Contents

This print in a yellow color folds outward to the shapes of sails with the name of the ship printed in an experimental typographic style. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

In this example of the work, all three varients in the colors, red, blue and yellow (each was published in 250 copies) are included. In addition, a duplicate yellow print is also held by the Sackner Archive. The folder provides a book-like appearance to the work. Index books indicated that is is unlikely that 250 copies were produced. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

On this proof copy of a card depicting a photograph of Finlay's sandblasted glass sculpture with a nautical scene in the background, Finlay wrote instructions to "add stand-shadow" to the bottom of the final copy. Finlay also wrote the name of Ed Wright on the verso and indicated that sand blasted should be one word. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a photograph of a sandblasted text, glass sculpture overlying a nautical scene. The photograph was made by J.W. Lucas. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a photograph of a sandblasted text, glass sculpture overlying a nautical scene. The photograph was made by J.W. Lucas. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Thsi is the final copy of a photograph of Finlay's sandblasted glass sculpture with a nautical scene in the background. It includes all the corrections made on the proof copy. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Cobbing mentions that nearly a thousand items were included in this exhibition that took place over one month's period which thirty thousand people attended un London's Royal Festival Hall.. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Cinicolo mentions that Edward Wright liked his work very much. He also writes that he has registered himself as a business, Liberis Editions, viz., libro = book & libero = free. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Cinicolo mentions trying to arrange meetings with Anthony Harwood, David Medalla and Edward Wright. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Houedard mentions that the original letter was typed with a pink ribbon and also that he admires the work of Edward Wright. Describes the difficulties he has had in publishing his work with Dana Atchley in Canada. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This scroll consists of single lower case letters of three to five letters in each word. The first three are ama (landlady), eme (m), and noe (Noah). Several other words in the vertical text are made up. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents As indicated in a 1985 exhibition catalogue sponsored by the British Arts Council, the idea for a new codex appears in the first notebook as part of the Central School teaching programme: like a Mexican codex in concertina form but 'applied to modern wrapping paper, one side only'. The notion lay dormant for many years but from 1972 its advances and vicissitudes are chronicled in the notebooks. Wright was working at that time on his article 'The Essential Book'. Peguy was the exemplary craftsman: for him 'a book meant a total commitment to social and spiritual truth. . . . A book meant writing, editing, printing, proof correcting, publishing and even opening a bookshop in the Rue de la Sorbonne'- the making and the message were inseparable.In an article written in a 1991 issue of Eye magazine on Wright's work, the form of the codex - is quite roughly made and free of grand summarising gestures. The chief subject is lunfardo, the slang of the vagrant people of Buenos Aires. This...

Scope and Contents As indicated in a 1985 exhibition catalogue sponsored by the British Arts Council, the idea for a new codex appears in the first notebook as part of the Central School teaching programme: like a Mexican codex in concertina form but 'applied to modern wrapping paper, one side only'. The notion lay dormant for many years but from 1972 its advances and vicissitudes are chronicled in the notebooks. Wright was working at that time on his article 'The Essential Book'. Peguy was the exemplary craftsman: for him 'a book meant a total commitment to social and spiritual truth. . . A book meant writing, editing, printing, proof correcting, publishing and even opening a bookshop in the Rue de la Sorbonne'- the making and the message were inseparable.In an article written in a 1991 issue of Eye magazine on Wright's work, the form of the codex is quite roughly made and free of grand summarising gestures. The chief subject is lunfardo, the slang of the vagrant people of Buenos Aires. This code...

Scope and Contents The Hoiuedard exhibtion presented 26 plastic poems, 26 typewriter poems, and 13 one sided plastic laminated poems with titles. None of these Houedard poems were titled. Gu ardian Obituary for Audrey Barker: Audrey Barker, who has died aged 69, was an inspiration to the development of the young as artists, especially through her work and thoughts about people with disabilities. She was born in West Ham, in London's docklands, and during the second world war was evacuated to a farm where she contracted tuberculosis from untreated milk. This led to crippling bone damage and eight years in hospital. She missed much formal education, but she read avidly, gaining a scholarship to East Ham Grammar School for Girls in 1944, later attending Walthamstow School of Art (1950-55) and then Leicester College of Art for a teacher training year. She exhibited her paintings widely from 1953 in group shows such as Young Contemporaries, the Royal Academy summer shows, the New English Art club and...

Scope and Contents

This work consists of a thin, flexible dull, steel sheet onto which is embossed an Ontario Canada 1960 automobile license plate and Etruscan letters. It is stored against the wall below the "Something is Missing" work by Kevin Carter. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This work consists of a thin, flexible dull, steel sheet onto which is embossed an Ontario Canada 1960 automobile license plate and Etruscan letters. It is stored against the wall below the "Something is Missing" work by Kevin Carter. -- Source of annotation: Marvin or Ruth Sackner.