Vries, Herman de, 1931-
Found in 71 Collections and/or Records:
16 dm2 - An essay / De Vries, Herman., 1979
all / De Vries, Herman., 2014
all / De Vries, Herman., 1997
The drawing consists of the word "all" written repetitively in several colors lined up in a 16 x 15 grid. A varient of this drawing with a vertical orientation is depicted in de vries book, "eschinau sutra" (2002). -- Source of annotation: Marvin or Ruth Sackner.
Arbeiten 1974-1979 / De Vries, Herman., 1979
Argumentstellen / De Vries, Herman., 2003
Bibliografie / De Vries, Herman, editor., 1970
Documents the publications of Group Zero. -- Source of annotation: Marvin or Ruth Sackner.
Broken Lines / Barry R; Fulton H; Rosen K; DeVries H; Walther F; Weiner L., 1990
Catalogue Raisonne / Herman De Vries, 2005
chance-fields; chance-felder / De Vries, Herman ; Wezel W., 1973
The book includes a minimalist poem by Wolf Wezel about de Vries' work. The pages depict intersecting rectangles based upon mathematical operations. -- Source of annotation: Marvin or Ruth Sackner.
Charlottenborg Festival 200 Bulletin. No.1 / DeVries H., 1969
Collection of Artists' Books, Editions, Video, Publications, Ephemera / De Vries, Herman., 1997
This is a listing of De Vries works still available for sale. -- Source of annotation: Marvin or Ruth Sackner.
Conceptual Art Catalogue 1967 (Serielle Formationen) / Art Base ; Andre C ; Dibbets J ; LeWitt S ; Roth D ; DeVries H., 2007
This exhbition in 1967 was the first manifestation of the international postwar Avantgarde Art in Germany. -- Source of annotation: Marvin or Ruth Sackner.
Dokumentation Konstruktiver / DeVries H; Heibel A; Tyson I; Kolar J., 1982
Dutch Periodical for Modern Art - English Edition. No.6 / DeVries H., 1976
Herman De Vries contributes an article on his white paintings and poems. Urs and Ros Graf describe and illustrate the versatilitiy of De Vries in their essay ...to be all ways to be... -- Source of annotation: Marvin or Ruth Sackner.
Eschenau Sutra / De Vries, Herman., 2002
With the exception of a page with collaged dried leaves, the other pages of this book depict black on white or colored, calligraphic, concrete poetic drawings. The book was meant to accompanyve vries' exhibition, "herman de vries different & identical." -- Source of annotation: Marvin or Ruth Sackner.
Exempla: Documents of Concrete and Visual Poetry / Nannucci, Maurizio, editor; DeVries H; Ulrichs T; Nannucci M; Gerz J; Mon F; Gappmayr H; Takahashi S; Verdi F; Spatola A; Kolar J; Parmiggiani C; Cobbing B; DeCampos H; Kriwet F; Houedard DS; Lora-Totino A; Jandl E; Bentivoglio M; Garnier P; Kitasono K; Belloli C; Gerz J; DeVree P; Valoch J; Dohl R; Goeritz M; Diacono M; Gomringer E; Bense M; Furnival J; Clavin H; deMelo e Castro EM; Morgan E., 1970
In his introduction to this print series Nannucci writes that "The growing importance of the visual over the verbal which started developing during the fifties, has doubtlessly influenced the proliferation of experimental poetry all over the world...This collection of unpublished poems is both a survey of the field made up to the end of the year 1970 and a proposal for the continuation of experimental work in poetry and for th e qualitative renewal of its original aspects." -- Source of annotation: Marvin or Ruth Sackner.
Exempla: Documents of Concrete and Visual Poetry / Nannucci, Maurizio, editor; DeVries H; Ulrichs T; Nannucci M; Gerz J; Mon F; Gappmayr H; Takahashi S; Verdi F; Spatola A; Kolar J; Parmiggiani C; Cobbing B; DeCampos H; Kriwet F; Houedard DS; Lora-Totino A; Jandl E; Bentivoglio M; Garnier P; Kitasono K; Belloli C; Gerz J; DeVree P; Valoch J; Dohl R; Goeritz M; Diacono M; Gomringer E; Bense M; Furnival J; Clavin H; deMelo e Castro EM; Morgan E., 1970
In his introduction to this print series Nannucci writes that "The growing importance of the visual over the verbal which started developing during the fifties, has doubtlessly influenced the proliferation of experimental poetry all over the world...This collection of unpublished poems is both a survey of the field made up to the end of the year 1970 and a proposal for the continuation of experimental work in poetry and for the qualitative renewal of its original aspects." -- Source of annotation: Marvin or Ruth Sackner.
[Fluxkarte Umbrella] / Jurgen O. Olbrich; H DeVries; P Corner; T Ulrichs; A Noel; K Friedman; N Klassen; W Hainke; T Saito; D Helms; JO Olbrich; B Blume; G Jaschke; G Bleus; G Hendricks; K Staeck; KB Schauffelen., 1990
The loose sheets consist of four joined postcards to be hung at the end of the spokes of an umbrella as an art object. Most but not all of the images deal with umbrellas. -- Source of annotation: Marvin or Ruth Sackner.
From Here / De Vries, Herman., 1982
Also designated Kunstinformatie 36 (Vol.8 No.1). -- Source of annotation: Marvin or Ruth Sackner.
futura: Permutierbarer Text. No.23 / Herman de Vries., 1967
Words constituting a constellation are printed horizontally, with each word in one of four different languages. These constellation are arranged at different angles across the surface such that the composition provides a visual impression of a contructivistic image. This work was loaned to the Museum of Modern Art NYC for their exhibition, "Eye on Europe: prints, books & mutiples 1960 to now." -- Source of annotation: Marvin or Ruth Sackner.