Henri Chopin curated the exhibition and wrote an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

The poster depicts a stylized phallus formed from letters with a center channel ejecting the biblical phrase "In the beginning was the word..." The number 36 in the title refers to Furnival's 36th birthday -- Source of annotation: Marvin or Ruth Sackner.

This print was made to celebrate John Furnival's 65th birthday. The print depicts each year of his life as a colored number in a chaotic arrangement with overlays. -- Source of annotation: Marvin or Ruth Sackner.

Valoch seems to have cut part of ablack annoucement card with fragmented letters and year in yellow. -- Source of annotation: Marvin or Ruth Sackner.

This extensive collection of concrete, visual and picture poetry was offered as a collection, not of individual items. -- Source of annotation: Marvin or Ruth Sackner.

This is a catalogue for the first major collection purchased by the Sackners in the formative stages of their Archive. Hoffberg was representing Richard Aaron, the bookdealer who owned this collection. Hoffberg had offered the collection to Jean Brown who did not buy it but referred the Sackners as potential buyers. -- Source of annotation: Marvin or Ruth Sackner.

This exhiition dealt with Nannucci's book and art works and those published by Zona and Exempla editions. -- Source of annotation: Marvin or Ruth Sackner.

This collage is titled "Welcome Back to A TV Dante." There is a collaged parking ticket on the left side of the page from Dante Rd that Phillips writes he had sought for years . Astrid or John Furnival provided him with the photographs of L'Inferno restaurant on the bottom left and Leo Phillips took the photograph of the Thames & Hudson Dante in the window of Zwemmer's book store. -- Source of annotation: Marvin or Ruth Sackner.

A Michaelangelo-like nude male figure reaches out his arm and points his finger at seven luxury British cars. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

In this sketch, a Michaelangelo-like male nude figure reaches his arm out to a mini-car. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

A reclining, naked Adam is depicted in Classical sculptural imagery enunciating, "So what? Small is Beautiful! -- Source of annotation: Marvin or Ruth Sackner.

This article describing The Midland Group Gallery in Nottingham specifically relates to an exhibition of concrete poetry, the catalog of which is contained in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Turquoise colored letters are overprinted in a cross-like manner. -- Source of annotation: Marvin or Ruth Sackner.

The vowels are printed in black, white, red, green and blue. They are arranged in a pyramid form on a gray background. The flag was part of an International show of artist flags. -- Source of annotation: Marvin or Ruth Sackner.

The vowels are printed in black, white, red, green and blue. They are arranged in a pyramid form on a gray background. The flag was part of an International show of artist flags. -- Source of annotation: Marvin or Ruth Sackner.

Finlay's three worded constellations serve as captions for Furnival's drawing of a Russian sailor and ship. First published in London Magazine in January 1969. This work is cited as a pamphlet (also held by Sackner Archive) but not as a print. There is also a signed edition of 300 copies.There is no reproductions in the Finlay Prints 1963-1997 book. -- Source of annotation: Marvin or Ruth Sackner.

Finlay's three worded constellations serve as captions for Furnival's drawing of a Russian sailor and ship. First published in London Magazine in January 1969. -- Source of annotation: Marvin or Ruth Sackner.