The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

Addresses Donato as my dear do don't NATO donato3 donatello donatissimo donatellone. Thanks him for his "squareletter" which pleased the postman (envelope 05-08-1970). Indicates that he is still waiting for a silver ribbon. Complains about Hansjorg Mayer and friends hogging an art show for first year graphic students. The text of the letter is typed in a pattern of wavy rather than the usual straight lines. -- Source of annotation: Marvin or Ruth Sackner.

Addresses Donato as my dear do don't NATO donato3 donatello donatissimo donatellone. Thanks him for his "squareletter" which pleased the postman (envelope 05-08-1970). Indicates that he is still waiting for a silver ribbon. Complains about Hansjorg Mayer and friends hogging an art show for first year graphic students. The text of the letter is typed in a pattern of wavy rather than the usual straight lines. -- Source of annotation: Marvin or Ruth Sackner.

Houedard thanks Cinicolo for the 'blublublu" book. He also discusses the various spellings of his name Sylvester or Silvester. The letter includes a typewriter drawing of an apple. -- Source of annotation: Marvin or Ruth Sackner.

Houedard thanks Cinicolo for the 'blublublu" book. He also discusses the various spellings of his name Sylvester or Silvester. The letter includes a typewriter drawing of a red apple. -- Source of annotation: Marvin or Ruth Sackner.

Houedard writes about sending Cinicolo 3 a photograph of himself. This letter is typed to mdd [my dear donato) with the hand written addition of "onato" in micrographic handwriting. -- Source of annotation: Marvin or Ruth Sackner.

Houedard indicates that the reversal poem card that was designed for the LYC exhibition (also held by the Sackner Archive) could not be printed because of lack of funding. -- Source of annotation: Marvin or Ruth Sackner.

Houedard indicates that the reversal poem card that was designed for the LYC exhibition (also held by the Sackner Archive) could not be printed because of lack of funding. -- Source of annotation: Marvin or Ruth Sackner.

The drawing is appended to the letter of the title. -- Source of annotation: Marvin or Ruth Sackner.

Houedard describes five ideas and questions concerning design of MIND/ACHE. The letter is addressed to DONATO in innovative typing. -- Source of annotation: Marvin or Ruth Sackner.

Houedard describes five ideas and questions concerning design of MIND/ACHE. The letter is addressed to DONATO in innovative typing. -- Source of annotation: Marvin or Ruth Sackner.

Houedard asks Cinicolo to glance at his designs for an ex libris. He writes that Ugo Carrega's gallery Mercato del Sale in Milan wants a retrospective. Hoedard thinks he had better offer him the reversal and reflections. The accompanying page is of reversal drawings entitled, BEGIN / AGAIN. -- Source of annotation: Marvin or Ruth Sackner.

Houedard asks Cinicolo to glance at his designs for an ex libris. He writes that Ugo Carrega's gallery Mercato del Sale in Milan wants a retrospective. Hoedard thinks he had better offer him the reversal and reflections. The accompanying page is of reversal drawings entitled, BEGIN / AGAIN. -- Source of annotation: Marvin or Ruth Sackner.

Houedard asks Cinicolo to glance at his designs for an ex libris. He writes that Ugo Carrega's gallery Mercato del Sale in Milan wants a retrospective. Hoedard thinks he had better offer him the reversal and reflections. The accompanying page is of reversal drawings entitled, BEGIN / AGAIN. -- Source of annotation: Marvin or Ruth Sackner.

Houedard asks Cinicolo to glance at his designs for an ex libris. He writes that Ugo Carrega's gallery Mercato del Sale in Milan wants a retrospective. Hoedard thinks he had better offer him the reversal and reflections. The accompanying page is of reversal drawings entitled, BEGIN / AGAIN. -- Source of annotation: Marvin or Ruth Sackner.

This is the exhibition catalogue of British and Portuguese concrete poetry and related work held from August to September, 1968. Each book including this one contains an original typing by Cavan McCarthy. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was organized by the students of Bath Academy of Art to carry out projects proposed by their three teachers, Furnival, Finlay, and Houedard. -- Source of annotation: Marvin or Ruth Sackner.

This is the catalogue for an international exhibition of concrete, intermedia, and related work at Arlington Mill, Bibury, Gloucestershire held from July to September, 1966. This copy also has poet's names in graphite handwriting scrawled on the back cover. -- Source of annotation: Marvin or Ruth Sackner.

This is the catalogue for an international exhibition of concrete, intermedia, and related work at Arlington Mill, Bibury, Gloucestershire held from July to September, 1966. -- Source of annotation: Marvin or Ruth Sackner.