This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

A blue typed tower with a roof-like extension is the centered typing. A small vertical column is left center. Both are within a red typed line. -- Source of annotation: Marvin or Ruth Sackner.

This is the presentation folder of examples from the Archive made to the Sackners by Clive Adams, the art dealer, on behalf of Donato Cinicolo III. -- Source of annotation: Marvin or Ruth Sackner.

The communication has been rendered in the form of a booklet. Cinicolo mentions that he has been accepted by St. Martin's as a graduate student. The carbon paper is yellow stock. A mirror image poem by DC# using the word mirror is contained in the booklet. -- Source of annotation: Marvin or Ruth Sackner.

The card deals with Cinicolo's layout for Houedard's reversal poem "mind/ache." Houedard states "it just looks about exactly right." -- Source of annotation: Marvin or Ruth Sackner.

This card typed by Houedard reminds Cinicolo of his visit dates. -- Source of annotation: Marvin or Ruth Sackner.

Above the name dom pierre sylvester houedard on the mailing address of the envelope, Cinicolo typed a square of typed "d's." -- Source of annotation: Marvin or Ruth Sackner.

This letter announced the change of Cinicolo 3's telephone number.The card is addressed to dom sylvester houedard. -- Source of annotation: Marvin or Ruth Sackner.

Typed on tan paper. Cinicolo discusses design of a catalogue for Houedard's exhibition in Newcastle. -- Source of annotation: Marvin or Ruth Sackner.

Describes the difficulties of maintaining the typewriter keys clean after using a silver ribbon. Cincolo 3 asks Houedard if he would like to see his new book, "Sky Blue." -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo laments that he is now working in London, a come down from being involved in art schools. The envelope includes the letter picture and typewriter art. -- Source of annotation: Marvin or Ruth Sackner.