Cover was designed by Phil Baines. -- Source of annotation: Marvin or Ruth Sackner.

Anna Banana provides chapter outlines for a proposed book that describes and traces the history of artistamps from 1914 until the present. -- Source of annotation: Marvin or Ruth Sackner.

The profusely illustrated book consists of biographical essays and examples of work by the graphic designers selected by the author. -- Source of annotation: Marvin or Ruth Sackner.

One copy contains a card reproducing a photograph of George Maciunas by Peter Moore. The second copy contains a loose sheet announcing a study collection of Fluxus materials for sale to libraries. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue provides descriptions and images of international artists' magazines from 1960 to 2008 that were exhibited in Cabinet du Livre d'Artiste in Rennes, Galerie des Urbanistes in Fougeres and Lendroit Galerie in Rennes. It lists a number of French magazines that are not known to the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Original Fluxus box and label. -- Source of annotation: Marvin or Ruth Sackner.

This book is the catalogue for the retrospective exhibition for Schippers in the Centraal Museum, Spring 1997. It includes documentary material of his Fluxus works, publications, radio shows and performances. Overlaping texts were printed in red (Flemish) and green (English) such that the opposite colored acetate sheet must be placed over the text in order for the selected language to be solely rendered visible. The envelope contains small paper reproductions of Schippers' works from the book. The presentation of text and images in this book that depend upon superimposition of colored acetate sheets is uncommon - this is the only book in the Archive so produced. -- Source of annotation: Marvin or Ruth Sackner.

In his essay, "Pushing the envelope: Mail Art and the Michaels," Simon Anderson writes that both "Thomson and Hernandez de Luna paresent a sophisticated twist on this variegated [mail art] history, combining the random markers of official passage with a deliberate manipulation of the aesthetic involved; their small scale prints, connected to tahe much denser history of printmaking, dovetail at various points - inclusing teamwork, political humor nad tricksterism - with the fragmentary origins of art-through-the-mail, as this brief survey hopes to indicate." The illustrations depict the fake stamps and the cancelled stamps on envelopes indicating that the stamps went through the mail. -- Source of annotation: Marvin or Ruth Sackner.

Transmit: Fluxus - Mail Art - Net.works traces the development of collaborative networks as communication systems between artists from the early Fluxus and Mail Art movements to contemporary Web Art while exploring their artistic legacy. -- Source of annotation: Marvin or Ruth Sackner.

Another version of this poster, published in 1973/1974 by Albrecht d, had smaller dimensions. -- Source of annotation: Marvin or Ruth Sackner.