Carrega, Ugo, 1935-2014
Dates
- Existence: 1935-08-17 - 2014-10-07
Nationality
Italian
Found in 13 Collections and/or Records:
10 Proposizioni per la Poesia Materica , 1970
Alchimia della Scrittura: Opere 1963-1995, 1995
Nine books and drawings held by the Sackner Archive are depicted and annotated as "Collezione privata, Miami Beach" in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.
Anabasi Senza Nome: Poesa Visuale e Libro D'Artiste in Italia, 1997
The text deals with historic aspects of artist books, concrete poetry, and visual poetry in Italy during the twentieth century with illustrations from the seveties and eighties. The collage is tipped-in to the page facing the title page. -- Source of annotation: Marvin or Ruth Sackner.
BAU, no. 6, 2009
Commentario, 1985
This book depicts and annotates Carrega's seminal work, entitled "50 modelli d'uso" that was shown the first time at Mercato del Sale in May 1978. It was remade in 1981 with 45 pieces in an edition of three copies and the Sackner Archive holds one of these editions in a specially made box. -- Source of annotation: Marvin or Ruth Sackner.
La Materia del Significato, 1976
La Porta Aperta / Carrega, Ugo ; Mussio M., 1971
Poemi per Azione, 1963
Poesia Visiva, 1975
Although 15 issues of this series were listed, it appears that only six were published. The Sackner Archive holds all six issues. -- Source of annotation: Marvin or Ruth Sackner.
Raccolta Italiana di Nuova Scrittura , 1977
This catalogue provides an anthology of Italian contemporary visual poetry along with statements by the contributing poets. Stored in Carrega box and reference shelf. -- Source of annotation: Marvin or Ruth Sackner.
Scatola, No. 1, 1981
Scrittura Attiva, 1980
This book reviews visual and concrete poetry with calligraphic themes in Italy during the seventies. Its translation into English without the images is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Trasparenze Reciproche, 1995
Produced on the occasion of an exhibition at Galleria Derbylius in Milan. The collage is a cut-out celluloid angel onto which Arias-Misson has written a poem. -- Source of annotation: Marvin or Ruth Sackner.
