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Feature art of the seventies from the Michael Morris/Vincent Trasov archive assembled between 1968-1980. The archive is the largest collection of mail art in Canada and numbers 10,000 items. -- Source of annotation: Marvin or Ruth Sackner.

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John Held Jr. contributed an introductory essay entitled, "The Open World of Netland." Most of this catalogue printed on brown recyled paper consists of the list of participants. There are only two pages with images. -- Source of annotation: Marvin or Ruth Sackner.

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Mike Dyar writes on his note that "this was a collaboration between Ray Johnson & myself. He sent me this as a drawing & asked me to sculpt & cast it in plaster." -- Source of annotation: Marvin or Ruth Sackner.

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Author is also known as buZ blurr. -- Source of annotation: Marvin or Ruth Sackner.

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Michael Morris, Sharla Sava, Peter Schuyff, Muffet Jones, Robin Laba, Vincent Trasov and James Tyer contributed extensive essays on the work of Ray Johnson and the mail art network. -- Source of annotation: Marvin or Ruth Sackner.

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The sheet consists of four stamps with an image of Johnson with a red ear and a green stripe. -- Source of annotation: Marvin or Ruth Sackner.

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The book consists of three questions and answers posed by Clive Phillpot to Ray Johnson in response to three black & white photographs reproduced in the book. These were taken on the grounds of the Nassau Museum. -- Source of annotation: Marvin or Ruth Sackner.

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The author of this article describes the work of Evans as he created notebooks of collages from discarded materials found on the streets of the East Village in New York. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The writings on the dried onion leaves consist of brief phrases, such as 'magic cloth.' The broadside documents the correspondence between Ray Johnson and Coco Gordon on onion skins beginning in 1981. It appears that the handwriting on the onion skins was done by Ray Johnson.Internet: Coco Gordon, born in Genova, lives and works from her NYC loft and her home in the red rocks of Lyons, Colorado. She emigrated to the United States in 1939. An Intermedia artist/ poet/ performer/ papermaker/ publisher of W Space artist book editions, she is also known as SuperSkyWoman. For the 2001 Venice Biennale Coco contributed her Superskywoman dialog "Forget Coming' to the Markers Project on Via Garibaldi and contributed her performance poem "Homage to the butterfly' to the Bunker Poetry Project at the Artiglierie of the Arsenale.13 SuperSkyWoman dialog posters showed at De Garage, Belgium May3-June 23 2002, curated by Luc Fierens. She has participated in the London and the Istanbul Biennales....

Scope and Contents

The writings on the dried onion leaves consist of brief phrases, such as 'dildos & other games.' The broadside documents the correspondence between Ray Johnson and Coco Gordon on onion skins beginning in 1981. It appears that the handwriting on the onion skins was done by Ray Johnson. The documentation as to the edition size and number of this copy appears to have been lost. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The writings on the dried onion leaves consist of brief phrases, such as 'magic cloth.' The broadside documents the correspondence between Ray Johnson and Coco Gordon on onion skins beginning in 1981. It appears that the handwriting on the onion skins was done by Ray Johnson.Internet: Coco Gordon, born in Genova, lives and works from her NYC loft and her home in the red rocks of Lyons, Colorado. She emigrated to the United States in 1939. An Intermedia artist/ poet/ performer/ papermaker/ publisher of W Space artist book editions, she is also known as SuperSkyWoman. For the 2001 Venice Biennale Coco contributed her Superskywoman dialog "Forget Coming' to the Markers Project on Via Garibaldi and contributed her performance poem "Homage to the butterfly' to the Bunker Poetry Project at the Artiglierie of the Arsenale.13 SuperSkyWoman dialog posters showed at De Garage, Belgium May3-June 23 2002, curated by Luc Fierens. She has participated in the London and the Istanbul Biennales....

Scope and Contents

The writings on the dried onion leaves consist of brief phrases, such as 'dildos & other games.' The broadside documents the correspondence between Ray Johnson and Coco Gordon on onion skins beginning in 1981. It appears that the handwriting on the onion skins was done by Ray Johnson. The documentation as to the edition size and number of this copy appears to have been lost. -- Source of annotation: Marvin or Ruth Sackner.

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Although this catalogue was published in Monte Carlo, the non-artistic events constituting the festival took place all over the world. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue was in the collection of Jan van der Marck, director of the MOCA and curator of the exhibition. He wrote in the introduction, "What characterizes the majority of works in this exhibition is their complex permutation of words and images. The resulting visual language tends towards poetic rather than communicative functions." Van der Marck also wrote the biographies of the artists. The Sackner Archive also holds the archive for the limited edition box with contributions from the artists that was assembled for this exhibition. -- Source of annotation: Marvin or Ruth Sackner.