This is a description of a collection offered "en bloc." -- Source of annotation: Marvin or Ruth Sackner.

The rubberstamp reads as follows: According to Man Ray Lydie became so annoyed by Duchamps stayng up very late to study chess problems that one night after he had finally gone to sleep she got up and glued the chess pieces to the board.The card states that Duchamp married Lydia Levasso on June 7, 1927 and divorced on January 25,1928. -- Source of annotation: Marvin or Ruth Sackner.

The rubberstamp reads as follows: According to Man Ray Lydie became so annoyed by Duchamps stayng up very late to study chess problems that one night after he had finally gone to sleep she got up and glued the chess pieces to the board.The card states that Duchamp married Lydia Levasso on June 7, 1927 and divorced on January 25,1928. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Bradley Lastname. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition curated by Dietrich Mahlow. The cover is perforated such that the word "collage" is formed. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was published for the exhibition, "Dada and Surrealism in Chicago Collections." -- Source of annotation: Marvin or Ruth Sackner.

In addition to artworks, the catalogue includes extensive descriptions of Dada and Surrealism periodicals. -- Source of annotation: Marvin or Ruth Sackner.

An exhibition of books, mauscripts, graphics and objects from the Howard L. & Muriel Weingrow Fine Arts Collection. Written and compiled by Haim Finklestein. -- Source of annotation: Marvin or Ruth Sackner.

Curated by Judi Freedman with special essay by John C. Welchman, the book gives an over-view of the artists from 1915 through 1940 who "included words, letters and numbers in their works and in so doing altered perceptions of what a painting or an art object could and should be." -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. This auction featured several works held by the Sackner Archive including Peintures de Leopold Survage by Apollinaire, La Fin du Monde by Blaise Cendrars and Fernand Leger, 291, Blast, Dada reviews, Le Coeur a Barbe, Languria Lirica, Depero Futurista, Les Mots en Liberta Futuristes by Marinetti, and Pour la Voix by El Lissitzky, -- Source of annotation: Marvin or Ruth Sackner.

Auction catalog. -- Source of annotation: Marvin or Ruth Sackner.

This work was done in homage to Marcel Duchamp. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Hubaut smoking a pipe that eminates red smoke and holding a chess piece in his hand. He is seated next to a Duchampian upside down bicycle wheel. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

The title of this piece is from Duchamps' version of Leonardo da Vinci's Mona Lisa who has been adorned with a comical moustache and goatee thus deserving its alternate title Joconde aux Moustaches. The title is essentially a phonetic game. As Duchamp himself noted in a 1966 interview, "I really like this kind of game, even in any language, some astonishing things happen." When read quickly in French, the title L.H.O.O.Q. sounds like a sentence translating to "She has a hot ass." -- Source of annotation: Marvin or Ruth Sackner.

This is an advanced copy of the catalogue. -- Source of annotation: Marvin or Ruth Sackner.