Duchamp, Marcel, 1887-1968
Person
Dates
- Existence: 1887-07-28 - 1968-10-02
Nationality
French
Found in 203 Collections and/or Records:
Liste 1/91 / Bisson-Millet, Paule-Leon ; Duchamp M., 1991
Item
Identifier: CC-23341-23782
Liste 4/91 / Bisson-Millet, Paule-Leon ; Duchamp M ; Arias-Misson A ; Zdanevich K ; Kolar J ; Phillips T ; Chopin H ; Cutts S ; Finlay IH ; Gappmayr H ; Gomringer E ; Roth D ; Schmidt SJ., 1991
Item
Identifier: CC-23213-23652
Liste 5/91 / Bisson-Millet, Paule-Leon ; Duchamp M ; Broodthaers M ; Filliou R ; Ruscha E ; Shiomi M ; Ben ; Warhol A., 1991
Item
Identifier: CC-23244-23683
Making Mischief: Dada Invades New York / Crotti J ; Duchamp M ; Picabia F ; Ray M ; Roche J ; DeZayas M ; Apollinaire G ; Schwitters K ; Watson S., 1996
Item
Identifier: CC-27598-28675
Scope and Contents
In the words of David A. Ross, director of the Whitney Museum, "This exhibition proposes that as important as Dada was to the growth of American modernism, the ferment of New York played an equally critical role in the continuing evolution of Dada itself." He points out that even though Dada evolved in Zurich and Berlin, few immigrant notions were more quickly or deeply absorbed into American culture, because "American art, like America itself in the beginning of the century, was experiencing an analogous social, intellectual, and moral transformation, and the spirit and purpose of Dada provided a much needed catalyst." The Dada activity in New York centered around the Arensbergs, Duchamp, Picabia and Man Ray. When asked to define Dada, Man Ray echoed the words of Tristan Tzara and said that Dada was a state of mind. Unlike the artists in Europe, the Dadists in New York were driven by a conscious sense of irony, amusement, and genuine sense of humor. Selected chapters of this...
Dates:
1996
Marcel Duchamp by Robert Lebel / Duchamp, Marcel ; George Heard Hamilton, translator ; Crotti J ; Hugnet G ; Mallarme S ; Breton A ; Lebel R., 1959
Item
Identifier: CC-15583-15910
Scope and Contents
First published in French by Trianon Press in 1959. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1959
Marcel Duchamp Exhibition, The / Duchamp, Marcel., 1985
Item
Identifier: CC-15578-15905
Marcel Duchamp on Display: Optics - Exhibition Installations - Portable Museums / Duchamp, Marcel ; Ray M., 2001
Item
Identifier: CC-43341-45401
Mercato Del Sale: un nuovo mondo. Feb / Marcel Duchamp., 1975
Item
Identifier: CC-37823-39703
Scope and Contents
The pages depict several of Duchamp's artworks. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1975
Mercato Del Sale: un nuovo mondo. Feb / Marcel Duchamp., 1975
Item
Identifier: CC-58545-10001769
Scope and Contents
The pages depict several of Duchamp's artworks. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1975
Mirror Images: Women, Surrealism, and Self-Representation / Bellmer H ; Breton A ; Cahun C ; Cornell J ; Duchamp M ; Krauss R ; Ray M ; Mendieta A ; Messager A ; Michals D ; Paz O ; Picabia F ; Schneeman G ; Schor M., 1998
Item
Identifier: CC-30592-32030
Scope and Contents
The exhibition that accompanied this brochure was curated by Whitney Chadwick, Katy Kline and Helaine Posner. The Sackner Archive lent Cahun's photograph,"L'Humanite Poupee," two copies of the book "Aveux non avenus" by Claude Cahun, Francois Lepelier's "Claude Cahun: Un Monographie," and the catalogue "Claude Cahun Photographe" to the exhibition at its Miami Art Museum venue. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1998
Mirror Images: Women, Surrealism, and Self-Representation / Bellmer H ; Breton A ; Cahun C ; Cornell J ; Duchamp M ; Krauss R ; Ray M ; Mendieta A ; Messager A ; Michals D ; Paz O ; Picabia F ; Schneeman G ; Schor M ; Ades D ; Tashjian D ; Zurn U., 1998
Item
Identifier: CC-30585-32022
Scope and Contents
The exhibition that accompanied this catalogue was curated by Whitney Chadwick, Katy Kline and Helaine Posner. The catalogue was edited by Whitney Chadwick. In her opening essay, "An Infinite Play of Empty Mirrors; Women, Surrealism, and Self-Realization," Chadwick writes that the rediscovery of Claude Cahun in the early 1980s is accompanied with a critical rereading of historical Surrealism. "The neatness with which Cahun's photographs have been annexed to post modern concerns with the decentered subject and with identity as contingent and mutable has obscured the complexity and contradictions of her writings and blinded many to the works' representations of conflicted identities." Katy Kline contributes an essay, "In or Out of the Picture: Claude Cahun and Cindy Sherman." She analyses the differences between the two artists and how they each participated in the Surrealist belief system. Kline notes that Cahun was one of few women close to the original Surrealist group and...
Dates:
1998
Mo.10: Rarae Aves / Ex Libris ; Picabia F ; Duchamp M ; Zwart P., 1986
Item
Identifier: CC-13871-14176
Modernism for the Masses: Artist Designed Postcards from the Collection of Anthony Guneratne / Bayer H ; Carra C ; Marinetti FT ; Duchamp M ; Breton A ; Eluard P ; Hugnet G ; Ernst M ; Ray M ; Goncharova N ; Larionov M ; Mayakovsky V ; Klucis G ; Rodchenko A ; Cassandre AM., 2003
Item
Identifier: CC-47020-49758
Moonstrips Empire News Volume 1 / Paolozzi, Eduardo; Wittgenstein L; Duchamp M; Picabia F., 1967
Item
Identifier: CC-29926-31315
Scope and Contents
Various paper stocks were used for the prints, viz., Centurian, Ferndown, Fibrex, Flexicover, Kendal and Soho cover boards, All British Cartridge, Astralux cast coated boards, and clear Acetate. According to Diane Kirpatrick (Eduardo Paolozzi, New York Graphic Society, 1969), the work was conceived as a giant file of text and image collages from the artist's voluminous collection. Each viewer is invited to 'edit' the book by experimenting with various arrangements of the sheets in the box. Paolozzi was concerned in this book between the relationship of Kitsch to technology. The color combinations of the inks are elegant with prodigious use of gold, silver, and copper metal inks. The moulded plexiglas box has a Dayglo pink color (other copies had this color or bright yellow or bright green). The images include movie stills and strips, There are several prints that include scientific, industrial, weather, and news photography. Images include graphs, advertisements, art...
Dates:
1967
Neo-Dada: Redefining Art, 1958-62 / Susan Hapgood, curator ; Cage J ; Duchamp M ; Ono Y ; Schneemann C ; Schwitters K ; Berman W ; Brecht G ; Herms G ; Higgins D ; Knowles A ; Ben ; Higgins D ; Arman ; Kaprow A ; Spoerri D., 1994
Item
Identifier: CC-09843-10037