This exhibition catalogue describes the philosophy, attitudes, influences and purposes of Fluxus. It documents Fluxus editions, periodicals and bibliographic materials. Includes a chronology of Fluxus performances from 1962 to 1978. The exhibition was curated by Jon Hendricks. R.W, Smith: Massive exhibition of 683 works organized in three parts: Fluxus Editions & Related Works; Fluxus Periodicals and Documents, Related Publications and Bibliographic Material; and Fluxus Performance: Documentation of Events. Introduction by John Hendricks; A Complete History of Fluxus, Including Philosophy, Attitudes, Influences and Purposes (consisting of statements by Fluxus artists and Fluxus founder George Maciunas reproduced in facsimile); chronology of Fluxus Performance. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition consists mainly of Fluxus instructional drawings, writings and typings. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Clive Phillpot and Jon Hendricks. -- Source of annotation: Marvin or Ruth Sackner.

Revich contributes a simple "elevator" description of Fluxus. -- Source of annotation: Marvin or Ruth Sackner.

The introduction of this book by Cage has an experimental typographic layout. The remainder consists of a standard layout of questions and answers. -- Source of annotation: Marvin or Ruth Sackner.

The books listed were from Fuller's library and often inscribed to him. -- Source of annotation: Marvin or Ruth Sackner.

The two major poems of the four in this presentation are two sound poems that use permutations of repetitions of English words to create a catchy musical rhythm. The first poem, seven box bus its, the first begins, 1 boxes boxing 2 busses boxes - busses - boxes - busses - busses bussing - busses bussing bounds - busses bussing - busses bussings busses... The second poem, animals yes animals begins, animals how come animals animals with newpapers animals quickly animals shoo skat animals observing winches animals... -- Source of annotation: Marvin or Ruth Sackner.

Bob Cobbing has made notations for the actual performance times on Swedish radio on this personal copy. He notes that Valoch's contribution was not received in time for the festival. This copy is stored with Cobbing material. -- Source of annotation: Marvin or Ruth Sackner.

In the introduction, Saiber describes Bruno as a 16th century polymath who was a philosopher, poet, playwright, mnemonist and magus but at his core an architect of ideas. Saiber further adds that "Many among the educated class familiar with esoteric learning, like Bruno, looked to locate and empower themselves through spacial manipulation and symbloic permutation, such as memory theaters. encyclopedias, kabbalah, natural magic, alchemy, and searches for the 'perfect language.' Bruno's writing indeed contains verbal patterns that signal an unusual sensibility to the shape of of space - whether of the heavens, between people, on a page, or of one's mind." -- Source of annotation: Marvin or Ruth Sackner.

This book documents a commemorative exhibition to Dick Higgins after his death in 1998. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was co-curated by Hans Sohm and consisted of material from his Archive. It included a chronology of Fluxus performances. Haralld Szeeman (1933-2005) was a Swiss curator and art historian whose Archive and Library was acquired by the Getty Research Institute in 2011. -- Source of annotation: Marvin or Ruth Sackner.