Scope and Contents

These photographs are reproductions of large silkscreen prints. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The white cover and spine are embossed in Pessin's typical style of repeated abstract markings or hieroglyphics that are utilized as a personal alphabet. Similar markings are contained on the three folded pages embossed on white, brown and beige papers. The remaining pages contain reproduced, handwritten French text by Pessin that offers an explanation of his personal alphabet. A poetic text by Jean-Pierre Spilmont and a critical text by Michel Butor are included in this catalogue. A description of Pessin's work which was included in the exhibition, "Civilisations Imaginaires" follows. The distinctive trademark of Marc Pessin's prints is a sophisticated system of waffle printing producing pages where the signs appear in relief. Using the same technique, a series of books were made with drawings from self taught outsider artists like Pierre Pascaud, Alain Pauzie, lan Pyper, Patrick Guallino and Jean Paul Baudouin. Born in 1933 in Paris, in a family of fairground artists, Marc Pessin...

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This issue features contemporary and classic bookbindings. -- Source of annotation: Marvin or Ruth Sackner.

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Exhibition was divided into three parts, Le Livre D'Artiste (curated by Merielle Etignard who visited Sackner Archive in 1996), Le Livre Illustre, and Le Carnet D'Artiste. -- Source of annotation: Marvin or Ruth Sackner.

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Edited by Gabriele-Aldo Bertozzi. -- Source of annotation: Marvin or Ruth Sackner.

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The introductory essay was written by Jeffrey Abt. The catalogue was designed by Buzz Spector. -- Source of annotation: Marvin or Ruth Sackner.

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This catologue lists items from the collection of Tony Zwicker, a reknown bookdealer from whom the Sackners purchased many books. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. Consists of the Surrealism collection of Jacques Herold. -- Source of annotation: Marvin or Ruth Sackner.

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Published in conjunction with colloquium held at the time of exhibition of the work of J. Baltazar, J. Cortot, and B. Dorny. Includes abstracts of lectures delivered by Michel Butor and Kenneth White. -- Source of annotation: Marvin or Ruth Sackner.

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One print has a poetic, calligraphic text by Sicard, the other a visual image by Alechinsky. -- Source of annotation: Marvin or Ruth Sackner.

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The Sackner Archive holds several of Dupont's bookworks listed and depicted in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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The poem by was written by Butor and the calligraphic prints made by Druet. -- Source of annotation: Marvin or Ruth Sackner.

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The text of this book was written by Butor and the etchings made by Qotbi. This deluxe edition includes additional suite of five etchings by Qotbi on Japon paper, each signed and numbered 5/10. -- Source of annotation: Marvin or Ruth Sackner.

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The catalogue is composed of several essays written about Vodaine's life and work. -- Source of annotation: Marvin or Ruth Sackner.

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Adele Spindler Roatcap contributed an illustrated essay "Sonia Delaunay: Color Rhythm Simultaneity." -- Source of annotation: Marvin or Ruth Sackner.