For this book, each artist was asked to contribute one page of autobiography and one page about anything beginning with the same initial as his surname. -- Source of annotation: Marvin or Ruth Sackner.

This rubber stamp provides a 7.5 cm diameter image that announces Cavellini's exhibition. -- Source of annotation: Marvin or Ruth Sackner.

The stamp is an image of Cavellini printed at the time of an exhibition of his works at the Stamp Art Gallery. -- Source of annotation: Marvin or Ruth Sackner.

Papers of prominent mail artist David Cole. Includes mail art, handmade rubber stamps, artists correspondence, zines, artists books, and cassettes.

The prints, which are photographic reproductions, depict Cavellini being crucified. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue represents a retrospective exhibition of the work of Costa (1942-1995) whose theme is transformation, metamorphosis and cultural anthropology. It includes essays entitled, "The Theatre of Wreckage," A Journey, a Collection of Saints, a Charcoal-maker, Spring Water and the Magic of Artistic Expression,"In the Company of Human Brain and Prehistoric Man" and "The Reconstruction of the Human." -- Source of annotation: Marvin or Ruth Sackner.

Cavellini appropriated a manila envelope mailed to him by the Sackners as the support for a collage with typical Cavellini correspondence art imagery. -- Source of annotation: Marvin or Ruth Sackner.

In the photograph, Baroni is shown as he covers his wife with labels which read Networker Congress. The verso contains remnants and the flag-like ornament from the top of the helmut. This work is an homage to G.A. Cavellini. -- Source of annotation: Marvin or Ruth Sackner.

In the photograph, Baroni is shown as he covers his wife with labels which read Networker Congress. The verso contains remnants and the flag-like ornament from the top of the helmut. This work is an homage to G.A. Cavellini. -- Source of annotation: Marvin or Ruth Sackner.