Scope and Contents

This is a definitive catalogue of the wiener gruppe. A section toward the end of the book depicts artworks by the group to subsequent artworks done by the international art community suggesting their widespread influence. -- Source of annotation: Marvin or Ruth Sackner.

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A typing entitled "Metacubus" 1977/1983 that is reproduced in this book is held by the Sackner Archive in its original form (1977). Presumably, Basset retyped this work from a photograph. -- Source of annotation: Marvin or Ruth Sackner.

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As described by William Allen, this is a printed card folio with a printed tipped-in pocket containing 5 four pages of folded illustrated essays together with a Gomringer blue type print of "Silencio" on white paper. The essays are illustrated and informative and consist of the following: 1) Eugen Gomringer in the UK, 2011 Concept as Concrete Form: Visual Poetry, Texts and Typography; 2) Eugen Gomringer in the UK "father of concrete poetry" by Roger Brown; 3) The Conz Donation at De Montford University - Eugen Gomringer and Nicholas Zurbrugg by Robert Richardson; 4) Stuart Mills; 5) Concept as Concrete Form List of Works. Allen writes that this is a beautifully produced catalogue published at the time of Gomringer's UK tour in 2011 with useful reference information and also a section on the English concrete poet Stuart Mills.The cover is silkscreen with eg. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a brief survey of German language speaking concrete poetic works. -- Source of annotation: Marvin or Ruth Sackner.

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This book consists of reproductions of visual poetry collages in homage to Eugen Gomringer as well as visual poems from the Leonardo Project. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition featured concrete poems with fragmented text. It included one visual poem by Toshihiko Schimuzu. -- Source of annotation: Marvin or Ruth Sackner.

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Manuscript is accompanied by a letter written in German by Brown dated June 11, 1976 explaining his method of interpreting Christian Morgenstern's "Fisches Nachtgesang." -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue lists Fluxus editions published by L'Archivio Conz. -- Source of annotation: Marvin or Ruth Sackner.

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The dedication of the woman's name to eugen [gomringer], one of the founders of concrete poetry, in this poem is illegible. -- Source of annotation: Marvin or Ruth Sackner.

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This is a poetry textbook for secondary schools with the following sections: Found Poems, Image Poems, Speaker Poems, Concrete Poems, and Magic Poems. It includes questions for the reader regarding these poems. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Beaulieu comments: an afterword after words: notes towards a concrete poetic.Despite over a century of poetic innovation since Stephane Mallarme's "Un Coup de Des Jamais n'Abolira le Hasard" (1896) & almost 50 years since the publication of Eugen Gomringer's manifesto "Concrete Poetry" (1956), there is still no accepted critical vocabulary for concrete poetry. Concrete poetry is often contextualized historically & is categorized as a subgenre of radicalized praxis from its predominantly modernist period in the 1950s through to the present. By reiterating this historical precedent -- a stridently modernist activity -- criticism on concrete poetry more often than not reifies the idea that this form is still in its infancy, requiring a citation of poetic precedent in order to justify its existence. Brion Gysin remarked that "writing is fifty years behind painting," an assertionevident in the cultural & critical reception for concrete poetry. Readings based upon...

Scope and Contents

This book was based upon proceedings of 17th annual workshop sponored by the Department of German at the University of Wisconsin-Madison. Reinhold Grimm wrote a detailed, historical, illustrated essay on emblem, concrete and shaped poetry titled, "Poems and/as Pictures: A Quick Look at Two and a Half Millennia of Ongoing Aesthetic Intercourse." Sixty five examples of such poems are depicted. Grimm provides several shaped poems by different authors from George Herbert to Eugen Gomringer on "meditative wings." A shaped poem by an anonymous author entiltled "Cube" (1710) is printed in German and Yiddish (Figure 29). ee cummings' poem "Grasshopper" (1935) is reprinted (Figure 32). Includes three erotic shaped poems by Reinhold Aman, editor of the magazine, Maledicta (Figures 62-64). -- Source of annotation: Marvin or Ruth Sackner.

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This book, a festshrift to Jandl, is also designated Zirkular Sondernummer 6, July 1985. It is stored with the Jandl publications. The bibliography lists all of Jandl's publications and recordings along with a synopsis of reviews from critics. -- Source of annotation: Marvin or Ruth Sackner.

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Gomringer contributed a critical essay "Drawing as Reflected Identity." Nussbaumer wrote "The Notion of the Gaze: The Athletic Configuration of Drawing and Painting." Koreny's essay is titled "Drawing and Prints." -- Source of annotation: Marvin or Ruth Sackner.

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This book was published on the occasion of a traveling exhibition on the theme of boats and voyages. -- Source of annotation: Marvin or Ruth Sackner.