The poem to be inscribed as "A Man of Letters R.L.S." on a formal stone with irregular edges is inscribed with a 'one-word poem' and set in the grass within a small grove of birch trees" -- Source of annotation: Marvin or Ruth Sackner.

This work is based upon a design by the Elizabethan architect, Inago Jones. -- Source of annotation: Marvin or Ruth Sackner.

The watercolor depicts four ceramic, varied colored sail shapes with numbers from Scottish sail boats. The signature is Michael Harvey's but he has also printed Susan Goodricke's name adjacent to his. -- Source of annotation: Marvin or Ruth Sackner.

The ink drawings provide construction details of four ceramic varied colored sail shapes with numbers from Scottish sail boats. One drawing is vertical and one drawing is horizontal. -- Source of annotation: Marvin or Ruth Sackner.

This depicts two adjacent, brown colored, ceramic or concrete, vertical slabs lettered The Water's Hours with levels drawn in blue & denoted with Roman numerals and The Sky's Hours with strokes of a sundial drawn in blue & denoted with Roman numerals, respectively. In Oct 1973, Harvey writes to Finlay with descriptions of proposals for the Portsmith City Art Project, viz., Water's & Sky's Hours and Numbered Sails. Finlay replied within a week with minor modifications prior to their submission into the competition. He adds a note of encouragement to Harvey, "So the question is, who will get the Third Prize (As we have won the First and Second)." -- Source of annotation: Marvin or Ruth Sackner.