The drawings which represent a sampling of Satie's style are collaged onto a single black leather sheet that is folded into a book-like object. The case holding the folded book has a one side with a clear plexiglas view of spray painted, movable alphabet soup letters that appear to originate from a small dish in the center. -- Source of annotation: Marvin or Ruth Sackner.

Publication includes reproductions of A. Dupont's "Nathalie et Justine" and "L'Art en Ciel," and I. Isou and A. Dupont's "Concerto pour Oeil et Oreille" which are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The second section of this work, "Traite de Mathematiques" depicts black and white reproductions of 11 of Isou's Lettriste paintings whose content is primarily calligraphic markings and hieroglyphics. -- Source of annotation: Marvin or Ruth Sackner.

Isidore Isou contributes an essay written in 1968 which includes an "Introduction au Lettrisme," "La Photographie Ciselante," "La Photographie Lettriste et Hypergraphique," "La Photographie Supertemporelle," and "L'Avenir de la Photographie." The photographs mainly depict images captured by the camera from life or collage and subsequently treated with paint, ink, and/or scratched additions to the negative or the photograph itself. This copy is one of 20 reserved for the contributors which in this was Maurice Lemaitre. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. The book also reproduces photographs and maquettes of original furniture by Satie. -- Source of annotation: Marvin or Ruth Sackner.

The book reproduces photographs and maquettes of original furniture by Satie. -- Source of annotation: Marvin or Ruth Sackner.

The drawings have been executed in Satie's typical style. The photographs, including three self-portraits, depict scenes of New York, Stonehedge and Paris. -- Source of annotation: Marvin or Ruth Sackner.

Satie uses the following magic squares in this book, viz., SATOR, DATUR, OPALE, SATIE, and SIGNE. -- Source of annotation: Marvin or Ruth Sackner.

Francesco Conz contributes an afterward "Lettrisme: The Forgotten Avant Garde." Roland Sabatier wrote about Isou's novel "Initiation a la Haute Volupte" (Initiation inot High Sensual Pleasure) and also contributed an essay "Poetry and Music:From Lettrisme to Excordism through Aphonism and the Infinitesimal." The fabric prints of Isou published by Conz, that are reproduced in this book, are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The drawings are portaits of unidentified French writers. The palindromes, with the exception of the first one, were composed by Satie. The photographs are portraits of several Lettristes including Isou, Devaux, Sabatier and Satie. Each photograph is a reversed double image, placed one next to the other, creating a mirror image effect and thus a visual palindrome. -- Source of annotation: Marvin or Ruth Sackner.

The first five numbered copies contain an additional two rayogrammes (one of which is held by the Sackner Archive). The pictures include portaits of Isou, Lemaitre, Sabatier, Satie, and Woodie Roehmer. -- Source of annotation: Marvin or Ruth Sackner.

This book was shown In Visualog 2.It was 'Presented' by Roland Sabatier. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.