The images deal with interpretations of self-portraits as concrete, visual, and conventional poetic ideas. -- Source of annotation: Marvin or Ruth Sackner.

Cards and objects of the same dimensions are stacked between two square, thick wooden plywood boards that are held together by two long screws with flanged nuts. The word "between" is printed on the cover board and blind embossed on the dividing handmade thick paper sheets. Most of the artwork relates directly to the theme of this assembling, e.g., 'zwischen' in German, 'between' in English. This theme is expressed in both verbal and visual images. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts a Gappmayr concrete poem in his usual minimal style; most if not all have appeared in previous publications. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition dealt with concrete poems installed in public places. -- Source of annotation: Marvin or Ruth Sackner.

This book reproduces Gappmayr's (7 October 1925; Innsbruck -- 20 April 2010); Innsbruck) poems and reprints his theoretical texts that deal with definitions of traditional (conventional), concrete and visual poetry. Gappmayr uses the term "visual poetry" to also signify "concrete poetry" where only language without images is present. The book also includes photographs of installations of his work in public places. This copy of the book is the ordinary edition; in the numbered and signed editions, an etching is included with the book. -- Source of annotation: Marvin or Ruth Sackner.

This book was published on the occasion of Gappmayr's exhibition in 1997 at the Kunsthalle Wien. Dorothea Van Der Koelen coordinated the catalogue and exhibition. A large number of the works consist of a single word. This copy of the book is the ordinary edition; in the numbered and signed editions, an etching is included with the book. -- Source of annotation: Marvin or Ruth Sackner.

This book was published on the occasion of Gappmayr's 80th birthday and his exhibition in 2005 at the Galerie Dorthea van der Koelen. The latter coordinated the catalogue and exhibition. A large number of the works consist of a single word. This copy of the book is the ordinary edition; in the numbered and signed editions, an etching is included with the book. -- Source of annotation: Marvin or Ruth Sackner.

This is also designated stampe propagandistiche / spedizione in abbonamento postale / gruppo IV / anno 4 numero 4 / giugno 1973. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this exhibition is loosely based upon the "sea-pig" - dolphin in English. -- Source of annotation: Marvin or Ruth Sackner.

The book consists of 25 leaves of blank white paper pages. -- Source of annotation: Marvin or Ruth Sackner.