This is a review of "Charlotte Salomon: Life Or Theater?" organized by the Royal Academy of Arts in London and on view at the Boston Museum of Fine Arts. -- Source of annotation: Marvin or Ruth Sackner.

Glueck describes Marinetti's expression of Simultaneity (perceptual registration of many things happening at once) in poetry that he called parole in liberta or words in freedom. "He combined onomatopoetic word fragments, numbers, symbols and typographical effects in a format that stormed the viewer's eye, making poetry a visual rather than an auditory experience...These words in freedom compositions obviously played a role in the developement of concrete and other visual poetry of la -- Source of annotation: Marvin or Ruth Sackner.

Review of an exhibition at Leubsdorf Art Gallery, Hunter College, New York titled, "A Painter's Poet: Stephane Mallarme and His Impressionist Circle." The Sackner Archive also contains the catalogue of this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Review of "Private Worlds: Classic Outsider Art from Europe" at the Katonah Museum of Art, New York. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of the exhibition "Private Worlds: Classic Outsider Art from Europe" at the Katonah Museum of Art, New York. -- Source of annotation: Marvin or Ruth Sackner.

A brief biography and an illustration of the Surrealist artist Claude Cahun are included in this review. Cahun's book "Aveux non Avenu," held by the Sackner Archive, is described as a book of meditation, aphorisms and personal philosophies. -- Source of annotation: Marvin or Ruth Sackner.

This is an exhibition review of "Symphonic Poem: The Art of Aminah Brenda Lynn Robinson," at the Brooklyn Museum of Art.. The Sackner Archive lent a work to the show. -- Source of annotation: Marvin or Ruth Sackner.