An exhibition of "A Marked Man and His World" was held at Musem De Stadshof, Zwoll from October 1998 to january 1999, curated by Carolien Satink. -- Source of annotation: Marvin or Ruth Sackner.

Edward M. Gomez contributed an illustrated essay "Poetry and Pathos: The Story of Adolf Wolfli's Vision Fuels the Debate over Outsider Art and the Nature of Creativity." -- Source of annotation: Marvin or Ruth Sackner.

This issue includes an essay by Ann Temkin, curator of 20th century art at the Philadelphia Museum of Art, that is entitled "Wolfli's Asylum Art." -- Source of annotation: Marvin or Ruth Sackner.

This well illustrated book clearly presents Wolfli's life, art, and pyschiatric disturbances. The editor indicates that Wolfli sold his art from the mental institution where he was confined until his death in 1930 of intestinal cancer. His work was rediscovered by Dubuffet after WW II. -- Source of annotation: Marvin or Ruth Sackner.

For the sale of a significant archive of Lettriste material there is an in-depth review of the Lettriste movement. -- Source of annotation: Marvin or Ruth Sackner.

Musgrove, a British poet with a collection of Outsider Art (the outsider archive) writes about Adolf Wolfli: "It is also of particular importance that Wolfli was ahead of everybody - he invented collage combinations with painting around the turn of the century, included a Campbell soup can in a painting in 1904 and the sound poems were begun before DADA, and so on." -- Source of annotation: Marvin or Ruth Sackner.

Review of "Private Worlds: Classic Outsider Art from Europe" at the Katonah Museum of Art, New York. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of the exhibition "Private Worlds: Classic Outsider Art from Europe" at the Katonah Museum of Art, New York. -- Source of annotation: Marvin or Ruth Sackner.

The Other Side of the Moon: The World of Adolf Wolfli was exhibited at University Art Museum, Santa Barbara, California. -- Source of annotation: Marvin or Ruth Sackner.