Andley, Greg
Found in 17 Collections and/or Records:
Curvd H&Z: City Conceit. No.17/Nov / Greg Andely., 1979
Also designated pomez a penny #9. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: Cloning Is Death, 2nd Printing with Revisions. No.1/Dec / jw curry ; andley G., 1979
Also designated Sticky Lights No.1. Grapphic by Greg Andley. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: Def: Inspire. No.14/Nov / Greg Andely., 1979
Also designated pomez a penny #6. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: Hurrycane. No.152/Sep / Greg Andely., 1982
Also designated one cent #88. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: Logical Sequence 46. No.43/Jan / jw curry ; andley G., 1980
Ths two words used in this poem are MUTATE AND MUTATION. The work is also designated th wrecking ballzark #12 and pomez a penny #26. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: Quote. No.20/Nov / Greg Andely., 1979
Also designated pomez a penny #11. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z (Series 0): Notes On Friday. No.6/Mar / jw curry ; andley G., 1979
Curvd H&Z: The Child Is the Only Gat. No.37/Dec / Greg Andely., 1979
Some of the poems, one to a page, demonstrate word play through alteration of a single letter, e.g., 'artistic - autistic,' and' games of slaughter - games of laughter.' Also designated th wrecking ballzark #10. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: The mutantrat. No.32/Dec / Greg Andely., 1979
Also designated pomez a penny #19. -- Source of annotation: Marvin or Ruth Sackner.
Curvd H&Z: What Will You Be Doing after Who's War Sonny. No.34/Jan / jw curry ; RD Hanson ; andley G., 1980
Cover designed by Greg Andley. -- Source of annotation: Marvin or Ruth Sackner.
Heads & H&Z, 1985
This anthology Includes reprints of a selection of curry's publishing activities focusing on his rubberstampings of minimalistic and concrete poems of his own and his circle of poets. Dean comments: this making precious of the single poem was the result of necessity as much as esthetic deliberation; curry published within a finite small budget. This could have caused poor-quality production, i.e. Gestetner, offset or xerox. Instead it resulted in hand-stamp, hand-set rubber type, as his chosen (& unique) means of publication. His scaled down book remained both anarchic and typographically refined. -- Source of annotation: Marvin or Ruth Sackner.
[Layout for Industrial Sabotage No.49] / curry, jw; andley G; Baker C; Beining G; Bradley Df; Copping M; curry jw; Donegan B; Evason G; Giii R; Johnston BD; Laba M; Necakov L; Power N; Reitzenstein G; Tramway A; UU D; Wiloch T; Schenkel C., 1990
This item constitutes part of the maquette for this issue. -- Source of annotation: Marvin or Ruth Sackner.
Re: Views: Re: Sponses - A Collection of "Visual" Criticism / curry, jw; Adler J; And M; andley G; bissett b; Bukowski C; Caruso B; Nichol bp; Dedora B; Furnival J; Laba M; lefler P; levy da; Maki W; Truhlar R; Zappa F; Brouillette J; curry jw; higgins kg; lore q; Walmsley T; Coleman V; Eckert R; Zibens M., 1998
The pages consist of reviews of books and poems by various authors that have been done by curry in visual/verbal imagery. Each review is produced on a single page. The books from this manuscript were published by Jumbo Plums and Runaway Spoon Press in 1991. A few of the reviews have been redone, e.g, Furnival, Bulowski and Walmsley, since their original manuscripts are already held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Re: Views: Re: Sponses / curry, jw; Adler J; And M; andley G; bissett b; Bukowski C; Caruso B; Nichol bp; Dedora B; Furnival J; Laba M; lefler P; levy da; Maki W; Truhlar R; Zappa F; Brouillette J; curry jw; higgins kg; lore q; Zibens M., 1987
The pages consist of reviews of books and poems by various authors that have been done by curry in visual/verbal imagery. Each review is produced on a single page. -- Source of annotation: Marvin or Ruth Sackner.
That Fucking Line That (final draft) / curry, jw; lefler P; andley G; Laba M; lore q; Hood W; Bennett JM; Evason G., 1992
These unbound pages were used for the final printing of the book published by Writers Forum. On the verso of some pages, handwritten, ink and graphite documentation as to their prior publication is provided. The manuscript includes ink drawings of the poems, "These" and "The Evolution of English." -- Source of annotation: Marvin or Ruth Sackner.
wrecking ballzark, th: Logical Sequence 46. No.12 / jw curry ; andley G., 1980
Ths two words used in this poem are MUTATE AND MUTATION. The work is also designated Curved H&Z No.43 and pomez a penny #26. -- Source of annotation: Marvin or Ruth Sackner.
wrecking ballzark, th: The Child Is The Only Gat. No.10 / Greg Andely., 1979
Some of the poems, one to a page, demonstrate word play through alteration of a single letter, e.g., 'artistic - autistic,' and 'games of slaughter - games of laughter.' Also designated Curvd H&Z No.37.. -- Source of annotation: Marvin or Ruth Sackner.
Additional filters:
- Subject
- Concrete poetry 6
- Minimalist poetry 5
- Conventional poetry 4
- Book review 2
- Repetitious text 2
- Visual/verbal 2
- Assembling 1
- Constructivism 1
- Critical text 1
- Documentation 1
- Picture poetry 1
- Political poetry 1
- Visual art 1 + ∧ less