The items that are listed in the catalogue and held by the Sackner Archive include the following: Wendigen with cover by Lissitzky, La Fin du Monde by Leger, The Strange Case of Dr. Jekyll and Mr.Hyde, and, Oiseaux and The Metamorphosis by Didier Mutel. -- Source of annotation: Marvin or Ruth Sackner.

Several works held by the Sackner Archive are reproduced in this exhibition catalogue. These include Apollinaire's personal handcolored copy (the Sackners also have a handcolored copy) of the Exhibition Catalogue of Leopold Survage and Irene Lagut (page 91), Angelo Rognoni's Parole in Liberta, "Bombardeo en la Costa," on page 102, Schwitters and Van Doesberg's poster, "Programa de la Kleine Dada Soiree," and Schwitters book, "Die Scheuche Marchen." Includes essays on Erik Satie and Henri Michaux among others. -- Source of annotation: Marvin or Ruth Sackner.

This is an exhibition review of French Art from the Sackner Archive held at the Bass museum. -- Source of annotation: Marvin or Ruth Sackner.

The work of Hoffmeister is presented in this catalogue, edited by Harald Olbrich, in several phases. Following his early realistic prints and paintings in the 1920's, the artist composed line drawing cartoons of many of his contemporaries, including Man Ray, Karel Teige, Le Corbusier, Vladimir Mayakovski, and James Joyce. By the 1930's the drawings became more political in subject matter and included cartoons of an exhibition consisting of identical Hitler portraits and sculptures, Picasso painting Guernica, and Louis Aragon holding an immense flag. In the 1960's, Hoffmeister employed collage elements with drawn additions for literary illustration, for example, in the works of Jules Verne. During this period, Hoffmeister created collages of landscapes and cities with incorprated texts, as well as visionary works similar to those of Jess and Max Ernst. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Walter Albert with foreword by Henry Miller. Contains the English translation of "The Transsiberian Railway." -- Source of annotation: Marvin or Ruth Sackner.

This print on canvas is a reproduction of a rubberstamped drawing on canvas by de Charmoy from 1994-1995 that was lost when the artist moved her studio. It consists of the names of visual poets and artists who were important to de Charmoy. The names are rubberstamped in blue in an irregular pattern falling from abstract blue, undulating painted marks at the top of the canvas. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of the writings of Marjorie Perloff. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalog of twentieth century illustrated books, original editions, autographed manuscripts, and bookbindings. Documentation of books particularly well done. Several books, generally with special bindings or different editions of authors cited are held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Jean-Paul Larouche. -- Source of annotation: Marvin or Ruth Sackner.

Lists Delauney and Cendrars' "La Prose du Transsiberien" and Lissitzky' "Beat The Whites With The Red Wedge," both of which are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.