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Christopher Phillips' essay "To Imagine That I Am Another" reviews the exhibition of the work of the Surrealist artist Claude Cahun. The Sackner Archive holds a copy of the book "Aveux non avenus" described in the article (another one was deaccessioned. -- Source of annotation: Marvin or Ruth Sackner.

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This book is a well annotated listing of inscribed photography books from a private collection. There is a section that reproduces the inscriptions. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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A complete set of Ed Ruscha's first edition, signed artist's books from 1963 to 1978 were offered for $35,000 in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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Claude Cahun's surrealistic book "Aveux Non Avenus" listed in this catalogue was purchased by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Claude Cahun (1894-1954), born Lucy Schwob, was a French poet, artist, photographer, writer, performance artist, and "queer freak," who explored the ambivalence of gender and sexual identity in her work. During the 1920s, she lived in Paris with her life-long partner and stepsister Suzanne Malherbe aka Marcel Moore ("the other me"). Together they collaborated on written works, sculptures, photomontages, and collages. Cahun is known for confronting the public's perception of sexuality, gender, beauty, and logic both in her Surrealist work and in her lifestyle. Cahun was known for her public appearances disguised as a sailor, gypsy, vampire, Buddha, or angel. Her collected writings were published in 2002 as Claude Cahun - Ecrits (edited by Francois Leperlier). In May, 1930, Editions Carrefour of Paris first published a book called Aveux non avenus, in which Cahun explored her subversive aesthetics in book form. Disavowals: or Cancelled Confessions is significant in that it is the...

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Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition on art by women was curated and the catalogue edited by M. Catherine de Zegher. The contributing artists and critical texts are international in scope. The book was highly documented as evidenced by 56 essays. An essay by Laura Monahan on Claude Cahun depicts a photograph lent to the exhibition by the Sackner Archive. The art works are varied with only a small fraction being feminist art. -- Source of annotation: Marvin or Ruth Sackner.

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Several shaped typewriter poems by Claude Cahun are reproduced from her previously unpublished homoerotic, feminist, set in ancient Greek, novel, "Heroines." It was translated by Norman MacAfee from a manuscript written in English and French in 1925. The typings include a mathematical poem, a French shoe, an arc of triumph, punctuation poems and a goblet. Several aphorisms appear in the novel. -- Source of annotation: Marvin or Ruth Sackner.

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Stored in Lecointre box. -- Source of annotation: Marvin or Ruth Sackner.

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The exhibition that accompanied this brochure was curated by Whitney Chadwick, Katy Kline and Helaine Posner. The Sackner Archive lent Cahun's photograph,"L'Humanite Poupee," two copies of the book "Aveux non avenus" by Claude Cahun, Francois Lepelier's "Claude Cahun: Un Monographie," and the catalogue "Claude Cahun Photographe" to the exhibition at its Miami Art Museum venue. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The exhibition that accompanied this catalogue was curated by Whitney Chadwick, Katy Kline and Helaine Posner. The catalogue was edited by Whitney Chadwick. In her opening essay, "An Infinite Play of Empty Mirrors; Women, Surrealism, and Self-Realization," Chadwick writes that the rediscovery of Claude Cahun in the early 1980s is accompanied with a critical rereading of historical Surrealism. "The neatness with which Cahun's photographs have been annexed to post modern concerns with the decentered subject and with identity as contingent and mutable has obscured the complexity and contradictions of her writings and blinded many to the works' representations of conflicted identities." Katy Kline contributes an essay, "In or Out of the Picture: Claude Cahun and Cindy Sherman." She analyses the differences between the two artists and how they each participated in the Surrealist belief system. Kline notes that Cahun was one of few women close to the original Surrealist group and...

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This catalogue offers mainly historic photographs of male and female nudes as individual works or as included in books. -- Source of annotation: Marvin or Ruth Sackner.

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Most of the Lettrist works in this profusely illustrated catalogue are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. The Sackner Archive purchased a signed, deluxe copy (one of 55 copies) of "Aveux Non Avenus" by Claude Cahun (p220) from this auction. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue includes reproductions of 127 b&w photographs of autoportraits from 1912-1953. Also, depicts the same b&w photograph, entitled Poupee (1936), that is held in a Parisian private collection as well as formerly the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.