Newell devotes entire chapters to the analysis of works by Apollinaire and Dylan Thomas. -- Source of annotation: Marvin or Ruth Sackner.

The clippings accompanying the book are reviews. -- Source of annotation: Marvin or Ruth Sackner.

This book was designed by George James Firmage and contains copious notes about the poems .This is an Authorised Typewriter Edition of 770 Collected, 45 Uncollected and 20 Unpublished Poems Recreated from the "Poet's Manuscripts with Bibliographical and Textual Notes by George James Firmage." This Typewriter Edition is limited to 225 Numbered copies, of which 200 were for sale. Quarter bound in green leather with hessian boards. Gilt titles to spine & gilt "E.E.Cummings" signature to front leather. Green-stained top edge. Beige card endpapers. -- Source of annotation: Marvin or Ruth Sackner.

The theme of the book is the opera by Stein and Thomson, "Four Saints in Three Acts." -- Source of annotation: Marvin or Ruth Sackner.

Subtitled "American and British Writers, Printers, and Publishers in Paris, 1920-1939." Includes a detailed description of Bob Brown and his book, "Readies" in the chapter, The Roving Eye. The Sackner Archive holds Readies - a gift of Eric Estorick. This edition is a reprinting of the book that was first published in 1975. -- Source of annotation: Marvin or Ruth Sackner.

Webster states that the four main poets discussed in this book, that was originally a doctural thesis, were not influenced by Mallarme's Un Coup de Des. In the case of Marinetti, he points out the structural typographic differences and similarities between Un Coup de Des and Parole In Liberta. Webster uses the term, visual poetry, as synonymous with concrete poetry. An appendix depicts several poems descibed in the book. -- Source of annotation: Marvin or Ruth Sackner.

Kac comments on "Adrift," a holographic poem commissioned for the Sackner Archive. It is composed of 7 words that dissolve into space along the Z axis as the viewer reads them back and forth. The letters that make up the words are floating freely along the Z axis except for the word "breathe," which is somewhere integrated into the overall light field. This word blows life to the other words as its letters actually move away from their original position to dissolve again into the light field. -- Source of annotation: Marvin or Ruth Sackner.

From the introduction by Allen Frost: " This is the inspiring story of a supreme artist absolutely committed to his dream. Kenneth Patchen's Painted Books, novels, prophecies and poems are a testament to life and hope. However this is also a tale of the adversity he faced: monetary critical neglect, and a physical pain that kept him bedridden for much of his life. Often reading these letters, the path of Kenneth Patchen's life can be drawn following his own words, in a philosphy that he established early on, "It's always because we love that we are rebellious..Patchen is revealed here as the beloved rebel poet whose refusal to accept boundaries led to his innovations in poetry and prose as well as painting and jazz." The Sackner Archive holds contians among other works, several Patchen's books with painted covers. -- Source of annotation: Marvin or Ruth Sackner.

The distribution to others of this work is unknown. The original typed poem, "Sonic Water" is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This book is an anthology of poems about family and life intended as reading for young people. Jonathan Price contributes a poem in the shape of an ice cream cone. -- Source of annotation: Marvin or Ruth Sackner.