This catalogue for the first comprehensive exhibition of Conner's work defines and illustrates the diverse areas of the artist's creative output including assemblages, collages, films, drawings, prints and photographs. Critical texts by Peter Boswell, Joan Rothfuss and Bruce Jenkins are presented along with a listing of Conner's previous exhibitions, a bibliography and a filmography. -- Source of annotation: Marvin or Ruth Sackner.

The Beat Movement,which started in the 1940's with Jack Kerouac, Allen Ginsberg and William Burroughs, also included other avant garde poets, writers, filmmakers and visual artists on the East and West coasts.This book served as the catalogue for an exhibition at the Whitney Museum of American Art which was curated by Lisa Phillips. It contains nine essays by art, film and cultural historians, a detailed chronology of the Beat mmovement and a bibliography, Contributors include Lisa Phillips, Allen Ginsberg, Edward Sanders and Rebecca Solnit. It is heavily documented with photographs of the group. -- Source of annotation: Marvin or Ruth Sackner.

The high density of the markings of the images is similar to the early work created by El Hanani, also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Baroni writes "A triumph of the do-it-yourself esthetic, Semina is a fragmentary guidebook to alternative modes of thinking, living, and art-making..." -- Source of annotation: Marvin or Ruth Sackner.

DeFeo (1929-1989) was an important influence on West Coast artists of the 1960s. -- Source of annotation: Marvin or Ruth Sackner.

The Sackners attended this exhibition at Museum Ludwig. -- Source of annotation: Marvin or Ruth Sackner.

The cover and five pages depict abstract formed mandalas by Conner. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent several pieces to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Influenced by the Holocaust, Metzger created "an art that aimed at introducing destruction as a means of transforming peoples' thoughts and feelings, not only about art, but to use art to change peoples' relation to themselves and society." Metzger is best known for organizing the Destruction in Art Symposium (DIAS) in London in September 1966. The main object was to focus attention on the element of destruction in Happenings and other art forms including the Viennese Actionists. -- Source of annotation: Marvin or Ruth Sackner.

This review mentions Peter Boswell who curated the exhibition and contributed to the exhibition catalogue. The latter is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.