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Flanagan, Barry, 1941-2009

 Person

Found in 11 Collections and/or Records:

O Poem , 1966

 Item — Folder 48: [Barcode: 31858072537826]
Identifier: CC-13083-13378
Scope and Contents

The label on the verso is handwritten in Bob Cobbing's writing probably meaning that he printed the poem. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

O Poem , 1966

 Item — Folder 48: [Barcode: 31858072537826]
Identifier: CC-13084-13379
Scope and Contents

The label on the verso is handwritten by Bob Cobbing probably because he printed this work. Wikipedia: Barry Flanagan RA OBE (11 January 1941 "“ 31 August 2009) was a Welsh sculptor,best known for his bronze statues of hares and other animals. Barry Flanagan was born on 11 January 1941 in Prestatyn, in North Wales. From 1957 to 1958 he studied architecture at Birmingham College of Art and Crafts. He studied sculpture at Saint Martin's School of Art in London from 1964 to 1966, and from 1967 to 1971 taught both at Saint Martin's and at the Central School of Art and Design. Flanagan died on 31 August 2009 of motor neurone disease -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Silence: a gavotte is so difficult nobody knows how to do it now. No.13 / Barry Flanagan, editor ; Flanagan B., 1965

 Item
Identifier: CC-39486-41442
Scope and Contents This periodical was edited by Barry Flanagan. According to Thames and Hudsons Dictionary of Arts and Artists, Flanagan is "a British sculptor who has emerged since the 1960s as one of the most interesting, original and distinguished contemporary sculptors. He studied at St Martin's School of Art 1964-6, at the time when Caro and King were teaching there. Initially Flanagan made abstract work with a variety of materials -- cloth, rope, sand, polystyrene, light and glass -- some of which were Environmental installations. Flanagan also made films, drawings, etchings and furniture. From the 1970s he started working in metals, stone, clay and marble: his 'anarchic wit' became even more pronounced in this work; he also began making discreet references to traditional carving and modelling in mysterious, fossil-like sculptures, or references to prehistoric and Celtic iconography. In the late 1970s and early 1980s Flanagan finally turned to explicit but idiosyncratic figurative sculpture...
Dates: 1965

Silence: man made, full of holes, etc.. No.11 / Barry Flanagan, editor ; Flanagan B ; Themerson S., 1965

 Item
Identifier: CC-39482-41438
Scope and Contents

In all issues of Silence edited by Barry Flanagan, amorphous, solid shapes are mimeographed that mirror his later sculptural works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

Silence: view. No.12 / Barry Flanagan, editor ; Flanagan B ; Themerson S., 1965

 Item
Identifier: CC-39485-41441
Scope and Contents

Barry Flanagan contributed amorphous filled-in drawings to this issue. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

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Subject
Abstract markings 3
Concrete poetry 3
Conventional poetry 2
Documentation 2
Manifesto 2