George Walker Shane Papers
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Scope and Contents
We have very few manuscripts of Shane's work, but many clippings by and about Shane, and a file of clippings on art. There are gathered into Series II of the collection, Clippings. Series III is Correspondence, made up of a small collection of his correspondence. His paintings for the Des Moines Sunday Register, and the century farm series in particular, generated correspondence from the public, and this correspondence is included in this series.
Shane's military records, biographical sketches, and other miscellany make up Series IV, Personal.
Shane probably worked from photographs, and there are many photographs of scenes and buildings in the collection. The photographer is unknown -- it may have been Shane. There are photographs of some paintings, some by Shane, some not. We can only assume that these were paintings which Shane admired and which he tried to imitate or at least to learn from. Photographs of Shane himself are included in the photograph series, as well as other artists, including Andy Worhol, Calder, and Dali. Also included are contact prints and negatives. These are gathered into Series V, Photographs.
Apparently, Shane did extensive research for his projects, and some of his research is included here in Series VI, Research. Examples are a file on New Orleans, which includes photographs, brochures, and one series dealing with how steeples look in paintings and photographs.
- Creation: 1949-1969
- Shane, George (Person)
Conditions Governing Access
This collection is open for research.
Conditions Governing Use
Copyright restrictions may apply; please consult Special Collections staff for further information.
Biographical / Historical
George Shane worked as as artist for the Register for many years, painting popular pictures of town squares, courthouses, local landmarks, and century farms for the supplement to the Sunday Register. Often, he wrote brief histories to accompany the painting. This collection contains a series of some 85 of these color reproductions from the Sunday Register. The original paintings were so popular that every painting but one was sold to private collectors, including one to Norman Lear, who bought the one of downtown Greenfield, where he was filming the movie Cold Turkey (1971) . Shane also did paintings for himself and for sale, and had work in many art shows, including a one-man show in the Des Moines Art Center in 1951. Catalogs for many of these shows are part of this collection, as are records of sales. Shane was active in the Des Moines art community, including the Des Moines Art Center and several of exhibit catalogs and bulletins from the Des Moines Art Center are preserved here as well. He also created artwork for commercial entities. Shane apparently had many friends in the artistic community, and there are works by other artists included in this collection, including a small series of hand painted greeting cards sent to Shane by fellow artists.
Shane also worked as a reporter and columnist for the Des Moines Register for many years. His reporting for the Register was mostly human interest stories, but the majority of his stories were about art. For a time, he wrote a column called "The Visual Arts" and twice he took trips and sent articles back to the Register about the art he encountered -- from Venice and the continent in 1958 and from Mexico in 1966.
1.50 Linear Feet
Language of Materials
Painter and art critic. Articles about Shane and artwork by Shane. Including pencil sketches and paintings as they appeared in the Des Moines Register.
Method of Acquisition
These papers were given to the University of Iowa Libraries by Florence Shane in 1973 and by Katherine Shane Long in 2001, 2003, and 2004. Addenda Incorporated into the collection in October and November 2004.
Accruals and Additions
Addenda: Incorporated into the collection in October and November 2004
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