Nicholas Zurbrugg contributes a chapter titled "Towards the End of the Line: Dada and Experimental Poetry Today." In it he analyzes Dada's influence on contemporary experimental poetry, specifically concrete poetry, and concludes that "despite their various differences, the Dada poets and the poets of the contemporary avant-garde exhibit a curiously complementary relationship."The conents include: Introduction, by Stephen C. Foster and Rudolf E. Kuenzli; Dada: A Definition, by Michel Sanquillet; Dada Criticism, Anti-Criticism and A-Criticism, by Stephen C. Foster; The Semiotics of Dada Poetry, by Rudolf E. Kuenzli; The Typographic Revolution: Antecedents and Legacy of Dada Graphic Design, by Arthur Cohen; Dada and Mysticism: Influences and Affinities, by Richard Sheppard; New York Dada and Primitivism, by Dickran Tashjian; Berlin Dada, by Hans J. Klenschmidt; Arp in Zurich, by Alastair Grieve; Dada's Temper: Our Text, by Mary Ann Caws; Towards the End of the Line: Dada and Experimental Poetry Today, by Nicholas Zurbrugg; The Duchamp Heritage, by Ben Vautier. -- Source of annotation: Marvin or Ruth Sackner.