Originally published in French in 1978, this novel is considered to be an outstanding example of twentieth century fiction in the tradition of Canterbury Tales and Ulysses. It is composed of a seies of stories that occur at the same time in an apartment building in the 17th arrondisement of Paris. Fictional but meaningful, the people and events are described in humorous and specific detail. The book is constructed like a puzzle and contains an index and a chronology.WikipedIa: Life A User's Manual (the original title is La Vie mode d'emploi) is Georges Perec's most famous novel, published in 1978, first translated into English by David Bellos in 1987. Its title page describes it as "novels", in the plural, the reasons for which become apparent on reading. Some critics have cited the work as an example of postmodern fiction, though Perec himself preferred to avoid labels and his only long term affiliation with any movement was with the Oulipo or OUvroir de LItterature POtentielle.La Vie mode d'emploi is a tapestry of interwoven stories and ideas as well as literary and historical allusions, based on the lives of the inhabitants of a fictitious Parisian apartment block, 11 Rue Simon-Crubellier (no such street exists, although the quadrangle Perec claims Simon-Crubellier cuts through does exist in Paris XVII). It was written according to a complex plan of writing constraints, and is primarily constructed from several elements, each adding a layer of complexity.Between World War I and II, a tremendously wealthy Englishman, Bartlebooth (whose name combines two literary characters, Herman Melville's Bartleby and Valery Larbaud's Barnabooth), devises a plan that will both occupy the remainder of his life and spend his entire fortune. First, he spends 10 years learning to paint watercolors under the tutelage of Valene, who also becomes a resident of 11 Rue Simon-Crubellier. Then, he embarks on a 20-year trip around the world with his loyal servant Smautf (also a resident of 11 rue Simon-Crubellier), painting a watercolor of a different port roughly every two weeks for a total of 500 watercolors.Bartlebooth then sends each painting back to France, where the paper is glued to a support board, and a carefully selected craftsman named Gaspard Winckler (also a resident of 11 rue Simon-Crubellier) cuts it into a jigsaw puzzle. Upon his return, Bartlebooth spends his time solving each jigsaw, re-creating the scene.Each finished puzzle is treated to re-bind the paper with a special solution invented by Georges Morellet, another resident of 11 rue Simon-Crubellier. After the solution is applied, the wooden support is removed, and the painting is sent to the port where it was painted. Exactly 20 years to the day after it was painted, the painting is placed in a detergent solution until the colors dissolve, and the paper, blank except for the faint marks where it was cut and re-joined, is returned to Bartlebooth.Ultimately, there would be nothing to show for 50 years of work: the project would leave absolutely no mark on the world. Unfortunately for Bartlebooth, Winckler's puzzles become increasingly difficult and Bartlebooth himself becomes blind. An art fanatic also intervenes in an attempt to stop Bartlebooth from destroying his art. Bartlebooth is forced to change his plans and have the watercolors burned in a furnace locally instead of couriered back to the sea, for fear of those involved in the task betraying him. By 1975, Bartlebooth is 16 months behind in his plans, and he dies while he is about to finish his 439th puzzle. Ironically, the last hole in the puzzle is in the shape of the letter X while the piece that he is holding is in the shape of the letter W.The entire block is primarily presented frozen in time, on June 23, 1975, just before 8 pm, moments after the death of Bartlebooth. Nonetheless, the constraints system creates hundreds of separate stories concerning the inhabitants of the block, past and present, and the other people in their lives. The story of Bartlebooth is the principal thread, but it interlinks with many others.Another key thread is the painter Serge Valene's final project. Bartlebooth hires him as a tutor before embarking on his tour of the world, and buys himself a flat in the same block where Valene lives. He is one of several painters who have lived in the block over the century. He plans to paint the entire apartment block, seen in elevation with the facade removed, showing all the occupants and the details of their lives: Valene, a character in the novel, seeks to create a representation of the novel as a painting. Chapter 51, falling in the middle of the book, lists all of Valene's ideas, and in the process picks out the key stories seen so far and yet to come. Both Bartlebooth and Valene fail in their projects: this is a recurring theme in many of the stories. -- Source of annotation: Marvin or Ruth Sackner.