This book is a first edition; it was reprinted in 1998. Wikepedia: The book is a roman a clef, meaning that the fictional characters are thinly-disguised actual persons. a, A Novel is a 1968 book by the American artist Andy Warhol (1928--1987) published by Grove Press. It is a nearly word-for-word transcription of tapes recorded by Warhol and Ondine (Robert Olivo, a Warhol superstar) over a two-year period in 1965-1967. a, A Novel, Warhol's knowing response to James Joyce's Ulysses, was intended as an uninterrupted twenty-four hours in the life of Ondine, an actor who was famous mostly as a Factory fixture, Warhol film Superstar and devoted amphetamine user.[1] A taped conversation between Warhol and Ondine, the book was actually recorded over a few separate days, during a two-year period. The book is a verbatim printing of the typed manuscripts and contains every typo, abbreviation and inconsistency that the typists produced from the twenty-four tapes (each chapter is named for its respective tape and side, from '1/ 1' to '24/ 2'). Ondine's monologues and disjointed conversations are further fragmented by Warhol's insistence on maintaining a purity of the transcriptions.a, A Novel was the second of several publishing projects Andy Warhol produced in his lifetime. Warhol wanted to be a writer but much like his film work, spontaneous performances and an explicit lack of editing was used as a device. Warhol wanted to write a "bad" novel, "because doing something the wrong way always opens doors." Four typists were employed to transcribe the Warhol/Ondine tapes. Maureen Tucker, the drummer for the Velvet Underground was an expert typist. However, she refused to transcribe the swear words and left them out. Two high school girls were hired to work on some of the tapes. When one girl's mother heard what they were listening to she threw out the tape, losing several hours of conversation. All four hired typists transcribed the dialogue differently, some identifying the speakers, others not. The editor for a, A Novel, Billy Name, preserved the transcripts as is, with every typo and inconsistent character identification, and even moving from two column pages to single-column based on each typist's style. The final printed version was identical to the typed manuscripts. -- Source of annotation: Marvin or Ruth Sackner.