These sheets consist of one photograph of Bob Cobbing and Jennifer Pike and two photographs that have been manipulated. -- Source of annotation: Marvin or Ruth Sackner.

Designated Writers Forum Folder 6. Two of the prints are stored in a binder containing typewriter poems. This copy does not have Cobbing's handwriting across the prints. Another copy held by the Sackner Archive does. -- Source of annotation: Marvin or Ruth Sackner.

Designated folder number four. Works are new versions of "Tan Tandinane," "Wan Do Tree," "Alphabet of Fishes," "M," and "Oslo Solo." This is the second edition of this anthology first published in 1968. Cobbing notes the following: Why publish sound poems in visual form - because the pattern of sound which is the sound poem often makes an interesting pattern on the page...the poem exists in many forms aural and visual...becomes perhaps many different poems. -- Source of annotation: Marvin or Ruth Sackner.

The duplicate is signed but not dated. -- Source of annotation: Marvin or Ruth Sackner.

These poems appear in the book of the same title published by Writers Forum & Vertigo Publications in 1970. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprinting of the book which was first published in 1965; it is No.15 in the Poets* series. In the introduction, Houedard traces the history of sound poetry through a listing of the chronology of "notable soundpoems" beginning with Lewis Carroll in 1855 and ending with Cobbing in 1965. He also mentions Egyptian hymns 300 B.C. of breath poems consisting of may notes sung to one syllable. Houedard's manuscript for this essay is held by the Sackner Archive. This book was written to accompany Writers Forum Record No.1 by Jandl and Cobbing. One of the poems by Jandl in this book, "time passes," also appears in the manuscript and book of "mai hart...," works also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.