The verso consists of a brief note to Jeramy Adler. -- Source of annotation: Marvin or Ruth Sackner.

Designated folder number four. Works are new versions of "Tan Tandinane," "Wan Do Tree," "Alphabet of Fishes," "M," and "Oslo Solo." This is the second edition of this anthology first published in 1968. Cobbing notes the following: Why publish sound poems in visual form - because the pattern of sound which is the sound poem often makes an interesting pattern on the page...the poem exists in many forms aural and visual...becomes perhaps many different poems. -- Source of annotation: Marvin or Ruth Sackner.

The duplicate is signed but not dated. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprint of an interview that appeared in Angel Exhaust No.4. -- Source of annotation: Marvin or Ruth Sackner.

Image was taken from Kris Kringles...; the original is held by the Sackner Archive. The author is also known as Jennifer Pike. -- Source of annotation: Marvin or Ruth Sackner.

The inscription by Cobbing on the envelope indicates that these are two originals fom Sequence 33-25 (1974-1975). -- Source of annotation: Marvin or Ruth Sackner.

Although Cobbing is not generally thought of as composing language poetry, the clusters of seemingly meaningless words and unrelated phrases could place this book into such a category. It is of interest that Cobbing had later collaborations with Bruce Andrews, a recognized language poet. The work might also have originated from the cut-up technique but handwritten notes (Notes for (from) Chamber Music), held by the Sackner Archive suggest the former explanation. -- Source of annotation: Marvin or Ruth Sackner.