Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966)
Contains 134 Results:
[the longago & yetocome] (170963) / [poeme traduction] / POEME BLANC (140663), 1963
This page contains the three concrete poems in the title. The third poem is an" homage a leopold sedar senghor." -- Source of annotation: Marvin or Ruth Sackner.
The Flip Side of Language, 1966
This essay is another copy of the manuscript with slightly different handwritten correctionss and appeared in ISIS No.1507, 1966, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
54-64 For Link, 1964
gratuitous sted lids (200864), 1964
This minimalist poem deals with the gratuitous help (archaic meaning of sted) for viewing authority. -- Source of annotation: Marvin or Ruth Sackner.
cinema / poem for peter levi / machined (060964), 1964
eschaton (191166) / Houedard, Dom Sylvester., 1966
Eschaton is defined as the final heaven-like stage of history or trying to create heaven here on earth. -- Source of annotation: Marvin or Ruth Sackner.
plus like creation (010964), 1964
ROETHKE (300863), 1963
This poem is a homage to the death of Theodore Roethke (May25, 1908 - August 1, 1963) and was written by dsh one week after his death. Wikipedia: Roethke was an American poet who published several volumes of influential and critically acclaimed verse. He is widely regarded as among the most accomplished and influential poets of his generation. Roethke's work is characterized by its introspection, rhythm and natural imagery. He was awarded the Pulitzer Prize for poetry in 1954 for his book, The Waking, and he won the annual National Book Award for Poetry twice, in 1959 for Words for the Wind[2] and posthumously in 1965 for The Far Field.In the November 1968 edition of the Atlantic Monthly, former U.S. Poet Laurete and author James Dickey wrote Roethke was: "...in my opinion the greatest poet this country has yet produced." In keeping with Houedard's poem, Roethke's poems often related to nature. -- Source of annotation: Marvin or Ruth Sackner.
[18 Poems] (220563-290563), 1963
This work consists of 18 poems with their dates of compositions as well as handwritten corrections. -- Source of annotation: Marvin or Ruth Sackner.
[19 Poems] (030363-030663), 1963
This work consists of 19 poems along with their dates of composision and Houedard's handwritten corrections. -- Source of annotation: Marvin or Ruth Sackner.
[aux invalides...] (200663, 210663, 240663, 250663), 1963
This page contains 12 dated poems. -- Source of annotation: Marvin or Ruth Sackner.
[12 Poems] (240463-150663), 1963
This work consists of 12 concrete and conventional with handwritten corrections. The poem, POEME BLANc (140663) consists of the title with an empty space below it. -- Source of annotation: Marvin or Ruth Sackner.
[10 Poems] (150563-240563)[CR][10 Poems] (150563-240563), 1963
This work consists of 10 poems with dates of composition along with Houedard's handwritten marginalia. -- Source of annotation: Marvin or Ruth Sackner.
greek litany (011265), 1965
The text deals with lesbian/gay love. Houedard mentions that he was ordained at the tomb of Napolean III. -- Source of annotation: Marvin or Ruth Sackner.
Ian Hamilton Finlay (300863), 1963
Sylvester Houedard, 1968
was an old woman lived in the buddhashoe (290663-060763), 1963
Notes Comments Talks Articles on Concrete, 1966
Lists manuscripts and the periodical of their publication. -- Source of annotation: Marvin or Ruth Sackner.
Paper / Silence, 1964
Kinetic Doublets, 1965
This depicts working ideas for Frog Pond Plop, later realized in a different form as Opening Number No.6, 1965 and is stofred in the drawing binder. The typing of this work is stored in the typing binder. -- Source of annotation: Marvin or Ruth Sackner.
