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Box 319

 Container

Contains 32 Results:

[?], 2013

 Item — Box: 319
Identifier: CC-58097-10001346
Scope and Contents

This work is depicted on page 83 of Azcarate's catalogue "Liminal." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2013

Crossword, 1975

 Item — Box: 319
Identifier: CC-25344-25800
Scope and Contents

The block letterforms with equal dimensions and spacings have positive/negative structures that give rise to optical effects. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Typescapes , 1967

 Item — Box: 319
Identifier: CC-25345-25801
Scope and Contents

Aylward & bp Nichol co-edited Ganglia Press publications. The poems in this book are printed one to a page with a thin vertical structure of typings forming abstract images on the right side and a caption consisting of a phrase in the left lower corner. This is the author's first book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

Neville Chamberlain's Chimera , 1979

 Item — Box: 319
Identifier: CC-26229-26692
Scope and Contents

Contains one poem to the page printed in red and blue inks. the author provides the sources for the poems at the end of the book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979

Strange Grey Town, 1966

 Item — Box: 319
Identifier: CC-26581-27050
Scope and Contents

The title page states "(concrete poem project for daLevy & the poets of cleveland)." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Pladoyer 1 (translation) , 1981

 Item — Box: 319
Identifier: CC-21591-22002
Scope and Contents

English translation of M. Badura's "Pladoyer 1" which is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

Overtyped Gradients [Black] , 2014

 Item — Box: 319
Identifier: CC-58357-10001573
Scope and Contents

The notations to the right of the image were inspired by Julius Nelson's book "Artyping (1939-1940), a book held bythe Sackner Archive. A composite image was produced of the black and red density gradients by merging the original typings in Photoshop. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2014

Overtyped Gradients [Red], 2014

 Item — Box: 319
Identifier: CC-58358-10001574
Scope and Contents

The notations to the right of the image were inspired by Julius Nelson's book "Artyping (1939-1940), a book held bythe Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2014

Scanned Mock-Up of Overtyped Gradients, 2014

 Item — Box: 319
Identifier: CC-58359-10001575
Scope and Contents

The notations to the right of the image were inspired by Julius Nelson's book "Artyping (1939-1940), a book held bythe Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2014

Formation of Moire Pattern [Black] , 2014

 Item — Box: 319
Identifier: CC-58360-10001576
Scope and Contents

A Moire pattern is a secondary and visually evident superimposed pattern created when two usually transparent identical patterns on a surface (such as closely spaced grids or straight lines are overlaid while displaced or rotated a small amount from one another. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2014

Formation of Moire Pattern [Red], 2014

 Item — Box: 319
Identifier: CC-58361-10001577
Scope and Contents

A Moire pattern is a secondary and visually evident superimposed pattern created when two usually transparent identical patterns on a surface (such as closely spaced grids or straight lines are overlaid while displaced or rotated a small amount from one another. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2014

Interpretations & Insinuations , 1965

 Item — Box: 319
Identifier: CC-22792-23227
Scope and Contents

Bahr explores the background of Adagio Press' pressmark. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965