This a reprint of the catalogue first published in 1969. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was a retrospective of Andre's typewriter poetry. -- Source of annotation: Marvin or Ruth Sackner.

The typed carbon of "Conquest Display" illustrated on page 58 was held by the Sackner Archive and subsequently sold. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue consists solely of photographs of Carl Andre's home town of Quincy, e.g., monuments, stone quarries, discarded railway tracks, etc. There is no text. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was published as reprint of the original 1973 book and consists solely of photographs of Carl Andre's home town of Quincy, e.g., monuments, stone quarries, discarded railway tracks, etc. There is no text. -- Source of annotation: Marvin or Ruth Sackner.

This in one of several rubberstamped prints published as a series by Parisol Press. Andre rubberstamped the number 0220 on the blank paper. -- Source of annotation: Marvin or Ruth Sackner.

The images deal with violins. -- Source of annotation: Marvin or Ruth Sackner.

This review of the exhibition "Carl Andre: Sculpture as Place, 1958- 2010" at Dia: Beacon is by Holland Cotter. It describes how "Writing poetry was Mr. Andre's initial calling...Even if he had not gone on to art, the poetry would be of interest. And in it, the sculptor-to-be is already evident. Mr. Andre has referred to his poems as 'typewriter drawings' and, in the spirit of Concrete poetry, their shape on the page is crucial to their effect." -- Source of annotation: Marvin or Ruth Sackner.

Andre states that Fisccherzunft (Rheinhotel Fischerzunft, Schaffhausen, Switzerland is "a dream of comfort & cuisine. If coin is thrown into the shine there, you can see it fall all the way to the bottom." -- Source of annotation: Marvin or Ruth Sackner.

Andre writes that he hopes to "have a chance to thaw out in Florida this winter. How wonderful it would be to pay you a visit & inspect your recent acquisitions." -- Source of annotation: Marvin or Ruth Sackner.

Andre writes "May you & Ruth & all your family enjoy a healthy, happy, & prosperous New Year! PAXETLVX" With respect to Marvin's suggestion about inscribing language on his flat plate sculptures, he wrote the following after the poet "lao Tzu." "The way is for ever nameless. Thiough the uncarved block is small no one in the world dare claim its allegence....only when it is cut are there names. As soon as there are namesine ought to know it is time to stop." -- Source of annotation: Marvin or Ruth Sackner.

Andre explains the text of his Poem on the recto and writes that "Poetry may be said to be breath made visible." -- Source of annotation: Marvin or Ruth Sackner.

Andre writes his message on the verso of an announcement card for the panel on which the Sackners participated at the Getty Center "Reading & the Arts of the Book." Other panelists were John Hollander, Simon Cutts and Marth Wilson. -- Source of annotation: Marvin or Ruth Sackner.

Andre reports to the Sackners that an exhibition of all of his remaining poetry, about 800 pages, will open in Paula Cooper's gallery on September10,1993. He writes, "I would consider it a great honor if it would be possible for you to visit the show before the opening date. There simply are no people in North America whose opinion I would value so highly." There is an ornimental ink line drawing om the address portion of the card -- Source of annotation: Marvin or Ruth Sackner.

Andre sends the annoucement card for his exhibition "Words" at Paula Cooper's Gallery on September 10, 1993 and invites the Sackners to the opening and dinner with his "great pleasure." -- Source of annotation: Marvin or Ruth Sackner.

Andre writes about his exhibition at Paula Cooper's Gallery that since" you have Seven Books this show will not be entirely novel to you. But it is the assembly of a vision." -- Source of annotation: Marvin or Ruth Sackner.