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Selected pages were downloaded as a pdf file on Google Books. -- Source of annotation: Marvin or Ruth Sackner.

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Bann reports damage to the screen of Furnival's installation at the Brighton Festival. -- Source of annotation: Marvin or Ruth Sackner.

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Letter concerns S. Bann's gift to E. Gomringer of four cards of his work which are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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Photograph relates to S. Barron and John Cage's limited edition publication "Another Song," a copy of which is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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*WEB 1998. [Email]seamus.cooney@wmich.edu. My copy says it's published by Tarasque Press. Sackner: no identification of publisher on my copy of card but similar Bann cards were also published by Tarasque Press so that correction is accepted. -- Source of annotation: Marvin or Ruth Sackner.

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Letter discusses catalogue and guide for the Brighton Festival exhibition; asks whether Furnival is in possession of "Arc/Ark" piece and whether Furnival's "Ajar" piece is "still in an exhibition-worthy state." -- Source of annotation: Marvin or Ruth Sackner.

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Bann thanks Furnival for typographical material and requests use of two designs in the Alan Ross anthology. Bann asks that Furnival consider an outdoor rather than an indoor site for his installation at the Brighton Festival. -- Source of annotation: Marvin or Ruth Sackner.

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Bann discusses Furnival organizing transportation of "Clyne" constructions, vowel screens, three columns, Ed Wright's "Four Sails" glass, "Ajar" wooden construction, "Ark/Arc" in plastic...[and] column with "Wave/Wave" to Nottingham, and the possibility of using Mayer's "Ampersands" for a wall or outdoor display. -- Source of annotation: Marvin or Ruth Sackner.

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Letter concerns setting up, transporting and caring for Furnival's work at the first Brighton Festival as well as asking for an indication of the arrangement of Furnival's panels and whether Houedard could associate with the project. -- Source of annotation: Marvin or Ruth Sackner.

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Amage chicha is a bitter fermented corn drink in Latn America. -- Source of annotation: Marvin or Ruth Sackner.

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typewriter art of a mushroom cloud with a line going through it

Scope and Contents Peter H Barnett: Time Trap (Assembling Press, 1980) is composed of twelve 8 1/2" by 12" sheets folded and stapled in booklet form. A loop of thread connects the midpoint of each page. The work explores various dimensions of the book form through four series of diagrams accompanied by texts and instructions. These graphic-textual progressions migrate over the outer margin of adjacent pages, through the gutter on the inside of a folded sheet, through the gutter on the outside of a folded sheet, or across the gutter from one page to the next. Three of the graphic progressions are v-forms which narrow and elongate as they migrate. The fourth is a string of numbers 1-12. The texts associated with each progression express attitudes of waiting, disorientation and entrapment. The four progressions are all there at once, but never meet: only one progression can be pursued by the interactive reader at a time, hence the title. The accompanying introduction, "Open Structure for a...

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Peter H Barnett: Can you tell me how what you are doing now is to do something philosophical? (Assembling Press, 1980) consists of handwritten philosophical questions arranged four to a page. Each page has a rectangular cutout of a quarter, a horizontal half page or a vertical half-page, allowing the questions to be seen in continually changing groups and associations. The title expresses the theme: what would it mean to act philosophically, or to take a philosophical initiative? -- Source of annotation: Marvin or Ruth Sackner.