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The title page reads - Gnostic: the nome of she are words of power, unspeakable and dwelling in forrest shadow in the midst of insect song. -- Source of annotation: Marvin or Ruth Sackner.

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The theme of this poem is mushrooms. -- Source of annotation: Marvin or Ruth Sackner.

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Rushes of table of contents page and section of No.91 issue of this periodical devoted to reproductions of S. Barron's photo-collages made between 1979 and 1982. Includes Barron's handwritten comments on quality of reproductions. -- Source of annotation: Marvin or Ruth Sackner.

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Basmajian (30 September 1950 "“ 25 January 1990) was a Canadian poet and author. Born in Beirut, Lebanon to Armenian parents, Basmajian emigrated to Canada when he was seven years old. He was a founder of the Canadian Poetry Association, co-founder of Old Nun Publications (with Ted Plantos), and was a member of the Parliament Street Library poetry group. The Shaunt Basmajian Chapbook Award, given annually to a Canadian poet, was established in his memory. The contest ran from 1996-2008. In 1986, he was attacked with a knife and robbed while he was driving a taxi. His right lung was punctured when a robber stabbed him. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The ink drawing is superimposed upon a tight grid of the repetively typed word "blood." Words that are recognizable in the drawing include the following: 'the' and 'in the soul.' Basmajian was born in the Armenian Republic and migrated with his family to Canada at age 7 years. Hence, his interest in writing this poem about the Nagorno-Karabakh War. Wikipedia: It was an armed conflict that took place from February 1988 to May 1994, in the small enclave of Nagorno-Karabakh in southwestern Azerbaijan, between the majority ethnic Armenians of Nagorno-Karabakh backed by the Republic of Armenia, and the Republic of Azerbaijan. As the war progressed, Armenia and Azerbaijan, both former Soviet Republics, entangled themselves in a protracted, undeclared war in the mountainous heights of Karabakh as Azerbaijan attempted to curb the secessionist movement in Nagorno-Karabakh. The enclave's parliament had voted in favor of uniting itself with Armenia and a referendum, boycotted by the...

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The backgound text is a repetitively written run-on of the word 'freedom.' -- Source of annotation: Marvin or Ruth Sackner.

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The backgound text is a repetitively written run-on of the word 'freedom.' -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Wikepedia: "In Greek mythology, maenads were the female followers of Dionysus (Bacchus in the Roman pantheon), the most significant members of the Thiasus, the god's retinue. Their name literally translates as "raving ones". Often the maenads were portrayed as inspired by him into a state of ecstatic frenzy, through a combination of dancing and drunken intoxication. In this state, they would lose all self-control, begin shouting excitedly, engage in uncontrolled sexual behavior, and ritualistically hunt down and tear to pieces animals "” and, in myth at least, sometimes men and children "” devouring the raw flesh. During these rites, the maenads would dress in fawn skins and carry a thyrsus, a long stick wrapped in ivy or vine leaves and tipped by a cluster of leaves; they would weave ivy-wreaths around their heads, and often handle or wear snakes." According to the Basinski's inscription on the verso of the drawing, "the Maenads had ladder like tattoes groves on their arms And I...

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The card provides instruction for this Fluxus-like piece: "Ask several people in the audience to bark like dogs and cue and correct them. Variously tell them to shut up." -- Source of annotation: Marvin or Ruth Sackner.

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This version of the poem has slight differences from the first version, -- Source of annotation: Marvin or Ruth Sackner.