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Box 327

 Container

Contains 42 Results:

Pocket Calculator Poems, 1988

 Item — Box: 327
Identifier: CC-22230-22652
Scope and Contents

Five prints referred to in book are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Book 1980, 1980

 Item — Box: 327
Identifier: CC-22251-22673
Scope and Contents

The front cover on yellow paper stock has words, "baroni & pachetti" rubberstamped and the back cover "Book 1980." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

Be Thankful You Can See, 1994

 Item — Box: 327
Identifier: CC-24093-24545
Scope and Contents

Each page depicts the same image progressively enlarged from a microscopic size to cover the entire page through the xerox technique. It is reminiscent of Emmett Williams' xerox experiments carried out in 1979. Manuscripts from the latter period are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Homage to George Lott, 1997

 Item — Box: 327
Identifier: CC-29133-30478
Scope and Contents

George Lott was an American soldier in WWII whose wounding in battle was published by Life magazine. Because of this publicity, he received over 3000 letters. Baroni's homage consists of collaging two paper, addressed envelopes from mail he received to each of 10 pages and both covers and adding band-aids or adhesive tape to them. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Aenigmatic Wrinkles, 1997

 Item — Box: 327
Identifier: CC-29503-30868
Scope and Contents

A photocopied image of the face of Mona Lisa is built up in four pages from the abstract to the visible. The facing pages have childlike handwritten phrases possibly done by Baroni's son. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

The State of the Arts: A Networking Questionnaire, 1999

 Item — Box: 327
Identifier: CC-33974-35646
Scope and Contents

Baroni publishes the response to questions posed to correspondence artists concerning avant garde art and artists. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Probably Another Visual Poem by Vittore, 1989

 Item — Box: 327
Identifier: CC-21566-21977
Scope and Contents

Collage incorporates mailing receipts to Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Congress Yourself, 1996

 Item — Box: 327
Identifier: CC-24193-24645
Scope and Contents

The cover is a postcard of the Acapulco Hotel, the Baroni family hotel where Vittore works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Carbon Drawings, 1998

 Item — Box: 327
Identifier: CC-32428-34002
Scope and Contents

This book consists of a sample of 42 drawings done with the aid of with carbon paper copying sheets. They were based upon images and fragments of words from Italian fashion magazines. Baroni comments, "There is an element of child-like surprise every time you lift the funny smelling carbon sheet to see the result of your work. You can never be quite sure what will appear." One original folded carbon copy drawing is placed within each booklet. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Sushi Sickness, 1996

 Item — Box: 327
Identifier: CC-34421-36118
Scope and Contents

Every word in this text begins with the letter 's.' -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996