Scope and Contents

This book was first published in 40 copies in 2008. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This work is a pataphysical, political analysis of the typewriter keyboard as related to the sonnets of Shakespeare. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The cover depicts a letter picture. The pages are mostly abstract markings with a few letters. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents NYT Exhibition Review: Whatever the aesthetic merit of Gene Beery's Pop-Conceptual paintings, on view in this delightful miniretrospective, they are certainly funny. Since the early 60's, Mr. Beery has been making word paintings that look and read like signs you see in shop windows. What the words offer, however, are not commodities but mischievous, self-referential messages, like John Baldessari's but goofier. ''Invent your own art kit!'' blares the exuberant text of a 1968 spoof of Conceptualism called ''Be an Artist Tomorrow.'' ''No brains, technique, skill, imagination, etc. needed. Clever system makes everyone an old master in seconds.''In ''Essences Only,'' made this year, Mr. Beery used a thin brush to write in black with apparently casual haste on a white canvas, ''My life is now too short to spend much time on formal painting art concerns. I am simply recording essences.'' Just so.It is tempting to go on quoting other paintings, but it is worth noting, too, the paradoxical...

Scope and Contents

d.a. levy owned Renegade Press. According to Kent Taylor in a personal communication (1997) to the Sackners, this was the fourth book published by the Renegade Press and the first not written by levy. Beck was a Cleveland police officer whom levy befriended. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Also designated PIPskweek #3. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The image depicts a man hanging a framed picture of an English and made-up (or a dialect) text from a book. This work is also designated Content Vol.1 No.1. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This print is housed in a brown paper portfolio with "House Press" and its logo silkscreened onto it along four other prints. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This print is housed in a brown paper portfolio with "House Press" and its logo silkscreened onto it along four other prints. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This print is housed in a brown paper portfolio with "House Press" and its logo silkscreened onto it along four other prints. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This print is housed in a brown paper portfolio with "House Press" and its logo silkscreened onto it along four other prints. -- Source of annotation: Marvin or Ruth Sackner.