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This copy also includes the originals and the photocopies of each of the works. According to Jan VanderDonk, there were five limited copies of this work that included include an original collage, an original lino-cut and two original drawings, signed by the artist. The content sheet prints: 1. Lino-cut 2. Le soldat inconnu 3. Sound poem 4. La belle momie 5. Gravure sur cuivre (trouvee, v. 1805) 6. Nímporte quoi 7. Projet photo 8. Colossal (found) 9. Drawing (photo-litho) 10. Drawing 11. Coloured drawing 12. Give him the inspiration 13. X-word. Thiis content is far less than in the current A copy held by the Sackner Archive. Ten of the typewritings are initialled 'hfg'; this is Cozette's son, Francois who composed the poems as a teenager. -- Source of annotation: Marvin or Ruth Sackner.

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The vertical height of the folders of the two copies held by the Sackner Archive significantly differ. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Mat stamped "Editore Francesco Conz." Internet: Paul de Vree (13 November 1909 in Antwerp, Belgium - 25 April 1982 in Antwerp, Belgium) was a Belgian poet, artist, publisher and critic. In the early 50s De Vree abandoned writing traditional poetry and then went through the stages of audiovisual poetry, concrete-visual poetry, visual poetry and poesia visiva. His works can be situated in the tradition of the international avant-garde that ran from Stéphane Mallarmé, Guillaume Apollinaire and Filippo Tommaso Marinetti via Van Ostaijen to Raoul Hausmann and Dada. De Vree created images of poetic, social and existential insights that appeared on constantly changing supports. De Vree was a complex and important figure with an international network and field of activity. He was particularly active in concrete and visual poetry and was important for the arts in his role as a critic and exhibition organiser. In 1953 De Vree initiated and co-founded De Tafelronde (1953-1981) magazine,...

Scope and Contents

Mat stamped "Editore Francesco Conz." -- Source of annotation: Marvin or Ruth Sackner.

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diamond and rectangles print

Scope and Contents

This is the second edition of poems that were composed from January to July 1953 and first published in Noigandres 2, 1955, a periodical held by the Sackner Archive. The colored text of these poems has its origins in the musical melodies of Anton Webern. The images accompanying this record include three scans of the originals from 1953 donated to the Sackner Archive by Augusto De Campos and three offset prints from this 2nd edition of poetamenos as well as two reproduced poems in Emmett Williams' "Antholology of Concrete Poetry." -- Source of annotation: Marvin or Ruth Sackner.

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The photocopied black & white image depicts a nude frontal view of a woman emphasizing her pubic hair. The white portion of the print is filled in with dense typed letters that do not have any linguistic meaning. Kythera aka Cerigo is a Greek island in the Mediterranean which had a temple of Aphrodite in antiquity. Presumably, Diotallevi is pointing out that language doesn't matter in a Temple of Love. -- Source of annotation: Marvin or Ruth Sackner.

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This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.