The cover was designed by Sandy Webb. -- Source of annotation: Marvin or Ruth Sackner.

Cover was designed by Sandy Webb. -- Source of annotation: Marvin or Ruth Sackner.

The cover was hand colored by Mara. -- Source of annotation: Marvin or Ruth Sackner.

The painted cover by Mara has a resemblance to a Morris Louis color field painting. -- Source of annotation: Marvin or Ruth Sackner.

The cover depicts a detail of a painting entitled "Non-Sectarian Crucifixion," a work held by the Sackner Archive. This work is also designated as Card 13 from "Stories from the Flats." -- Source of annotation: Marvin or Ruth Sackner.

The cover depicts a detail of a painting entitled "Non-Sectarian Crucifixion," a work held by the Sackner Archive. This numbered work is also designated as Card 13 from "Stories from the Flats." -- Source of annotation: Marvin or Ruth Sackner.

According to Horvath, "These nine unpublished drafts of 'cleveland undercovers' trace the poem's progression from its single sheet origin to a 16 page manuscript containing sections which were later removed. None of the early versions contained the 'Introduction' which only appeared with the published poem. 'cleveland undercovers' was initially printed by 7 flowers press." The cover print was based upon a photograph published in a 1966 edition of the Cleveland Press by David Pishnery. -- Source of annotation: Marvin or Ruth Sackner.

This book includes reproductions of "Book 14 T that consisted of abstract markings rendered on the mimeograph machine. The book reproduces 'The Para-Concrete Manifesto (1996)' is from the original mimeograph printing. Some of the pages inside 'untitled (1964)' also reproduced in the book were based upon images used for levy's '6 cleveland prints' (renegade press, 1964). There were 5 copies published; probably each one different from the other. Here, copy #2. is reprinted. The pages are colored abstract markings with some containing letter pictures. -- Source of annotation: Marvin or Ruth Sackner.

In addition to the poetry of levy and Taylor, this book depicts reproductions of photographs of the poets and their circle. The poems in this book and the CD were made from a tape of readings by levy & Taylor (January 1967) provided by B.L.Kennedy and created in a limited edition by Ingrid Swanberg at Ghost Pony Press in 2000. -- Source of annotation: Marvin or Ruth Sackner.

This issue contains a photograph that is reprinted and reproduced in (Uh..One & Uh..Two) Random Sightings. The cover photograph is by Alan Horvath. Reprints numerous collages from Serif (volume 8, number 4, 1972, Marijuana Newsletter #2 (1965), The Day is a Prayer they Can't Understand (1967), Cleveland Undercovers (1966), All Gods Must Learn to Kill (1967). Also reprints Farewell the Floating Cunt (1964) in its entirety. -- Source of annotation: Marvin or Ruth Sackner.

The cover photograph is by Alan Horvath. Includes several poems and polemics against the Vietnam war as handwritten manuscripts. -- Source of annotation: Marvin or Ruth Sackner.

Khu-En-Oho is another name for d.a. levy -- Source of annotation: Marvin or Ruth Sackner.

The booklet is formed from three poems: "Black Hat : At the End of the Bar,"3 American Tanka"/"3 Tanks," and "Egyptian Stroboscope." Though they do not appear in the table of contents, four other shorter poems are mingled throughout: "Iron Cross of the Sun," "SCrape the SKY-rapeR,"Flying Muslim," and "Judgement I."

levy's handwritten letter to Jacob Leed on verso page 3 mentions waiting for a poem by Alan Ginsberg and putting out Egyptian Stroboscope. The Smithbox is an experimental non-fictional piece replete with run-on as well as obscene words. it includes a minimalist poem by Bob Barker and a visuonary line drawing. -- Source of annotation: Marvin or Ruth Sackner.

levy writes Leed that he is going to use the title, "White Moon of Watching Out" [sic], for the title of a book of poems by Leed that he will print. Also sends Leed some of his own publications. The verso of this letter Is a reprint of Clandestine Press Bulletin No.1 from San Francisco Chronicle editorial page. -- Source of annotation: Marvin or Ruth Sackner.

levy requests poems from Inman for Silver Cesspool #5 and Inman sends them to levy. Inman also mentions that Carol Berge is delighted with levy's publication of her book. -- Source of annotation: Marvin or Ruth Sackner.