ArchivesSpace at the University of Iowa

This work lists works available for sale from Cnck Welch's personal collection. The works are extensively annotated. -- Source of annotation: Marvin or Ruth Sackner.

Consists of a review of contemporary small press magazines, mostly American, presented in a bibliographic, annotated format. -- Source of annotation: Marvin or Ruth Sackner.

Consists of a review of contemporary small press magazines, mostly American, presented in a bibliographic, annotated format. This copy is a special edition. -- Source of annotation: Marvin or Ruth Sackner.

An interview with Dean who publishes a small mag, Arthur Cravan, discusses Craven's life and work and also includes a bibliography. Bruno Richard, who publishes "Elles Sont de Sortie" discusses correspondence art, rubberstamp art and Ray Johnson. He classifies zines into the following categories: found art; hybrid; assembling and multiple origins. John Held Jr., who publishes Bibliozine describes International Mail Art. -- Source of annotation: Marvin or Ruth Sackner.

This issue deals with zines. -- Source of annotation: Marvin or Ruth Sackner.

Periodical edited by Mike Gunderloy that reviews small press publications including "zines" and books, e.g., Phosphorous Flourish #20, Push-Machinery #11, Velocity #9, Lost & Found Times #19-20. -- Source of annotation: Marvin or Ruth Sackner.

Periodical edited by Mike Gunderloy that reviews small press publications including "zines" and books, e.g., Beatniks from Space #7, Artpolice Sum 1986, Anti-Isolation #2, Dead Fish #6, Box of Water #2, Lost & Found times #19. -- Source of annotation: Marvin or Ruth Sackner.

Periodical edited by Mike Gunderloy that reviews small press publications including "zines" and books, e.g., Alternative Fiction & Poetry #2, Artpolice Oct 1986, Cerebral Discourse, Exquisite Corpse Vol.4 #5-8, El Djarida #4, Phosphorous Flourish #18, Score #8, Scrap #2, Pandamonium Spirit, Commonpress #77 (Pat Fish) -- Source of annotation: Marvin or Ruth Sackner.

Dated 1986 but place of publication indicates that magazine was released in 1987. Periodical edited by Mike Gunderloy that reviews small press publications including "zines" and books, e.g., Mallife #11, Alternative Press #8, American Living #18, Phosphorous Flourish #17, Score #7, Scap #1. -- Source of annotation: Marvin or Ruth Sackner.

Periodical edited by Mike Gunderloy that reviews small press publications including "zines" and books, e.g., Asylum Vol.3 #1, Artpolice July 1987, Bold Print, Lightworks #18, Malllife #12, Phosphorous Flourish #20, Photo Static #24, Push Machinery #9, Scrap #4, Xerolage #8, The Alchemist #8. -- Source of annotation: Marvin or Ruth Sackner.

Periodical edited by Mike Gunderloy that reviews small press publications including "zines" and books, e.g, Bikini Girl Vol.1 #9, Bold Print, Asylum Vol.2 #4. Bob Grumman reviews Kaldron #20, Xerolage #7, Photostatic #23, Malthus #2, Lost & Found Times #20, Atticus Review #12, Velocity, Red Lines #7, Industrial Sabotage #36 & 37. -- Source of annotation: Marvin or Ruth Sackner.

These drawings were printed in both black & white and color on an ink jet printer. One of the drawings was titled, dashboard beacon (for noemie & nico [vassilakis?]), & is aso signed by Miskowski. The small size of the drawings suggests that they were intended to be published in zines. -- Source of annotation: Marvin or Ruth Sackner.

bruno neiva is a Portuguese writer, poet and artist. He has published several chapbooks, such as: "early-natttura", "polar coordinates and N2OC10H12"³, "sad items", "natttura1-7"³, "Nuvem Ruim", "o livro das minhas proezas de pesca 1-8"³, "Samples 17-24.", "Samples 9-16"³ and "Samples 1-8"³. His work can also be found in magazines / e-zines: otoliths, BlazeVox, moria, ditch, The Anemone Sidecar and Word For/Word. So far, he has held 3 exhibitions: "asemicdraftsone", "nuisance series" and "2/4 series." -- Source of annotation: Marvin or Ruth Sackner.

Periodical edited by Mike Gunderloy that reviews small press publications including "zines" and books, e.g., Maledicta #10, Poetry Review #139, Dreams and Nightmares #32. Grumman reviews And's Zaum piece Palatirator program for The Impossible Utterance #3, Blades' Dec 31, 1988, Basmajian's I am/I'm, Hill's Trains Sl;ay Huns, Byrum's Rimage, NRG #32 including Berry's Brambu Drezel, Modom #4. -- Source of annotation: Marvin or Ruth Sackner.

Wharton Hood is non-de-plume of jw curry. This book is a photocopied compilation of his correspondence by Hood and his respondents. This volume deals mainly with material received by Hood for writing conferences and small press zines. It was published in probably less than 10 copies. -- Source of annotation: Marvin or Ruth Sackner.

In an introductory essay, Mary Ellen Solt traces concrete poetry historically and analyzes spcifically the work of Lax as related to Eugen Gomringer, Augusto De Campos and Ian Hamilton Finlay. Michael Basinski and Robert Bertholf provide an essay on "Zines," a generic term for a self-generated, cheaply produced (folded and stapled photocopied sheets), radically independent magazine. The exhibition included works of 167 international, concrete and visual poets. -- Source of annotation: Marvin or Ruth Sackner.

This is the first university press pubication to explore the historical roots, aesthetics, and new directions of contemporary mail art in essays by prominent, international mail art networkers from five continents. Includes numerous photographs of mailed artifacts,performance events, congresses, stampsheets, posters, collages, artists' books, visual poetry, computer art, mail art zines, copy art and rubberstamped images. The Sackner Archive is identified as a major resource for Mail Art. The contibutors listed in this record wrote essays or poems and are listed in the Table of Contents. -- Source of annotation: Marvin or Ruth Sackner.

Periodical edited by Mike Gunderloy reviews small press publications including "zines" and books, e.g., American Living, Artpolice Sum 1988, Asylum Vol.4 #2, Fiction Review Vol.2 #2, Inkblot #9, Noospapers #6, Photostatic/ Retrofuturism #32, Score Review #6-7, Snarl Vol.1 #1, Stroker #40, The Subtle Journal of Raw Coinage #11-13, Umbrella Vol.11 #1, Cake, Red Lines #8 & 9, Taproot #9-10, Interstate #19, Acts #7, Catalyst #17, Metal Farm #1, Lost & Found Times #23. Also, has extensive book review section. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Stephen Perkins. The catalogue consists of brief comments by the editors and cover reproductions of over 300 zines. -- Source of annotation: Marvin or Ruth Sackner.