The title is solely printed in red on the middle of each page; the pages are perforated at the left margin presumably to be torn out for a label. -- Source of annotation: Marvin or Ruth Sackner.

Biographies of the artists are printed on the verso of the prints. -- Source of annotation: Marvin or Ruth Sackner.

The prints have a black background and the word "black" or fragments of the word "black" printed on this background in a glossy black color. The word becomes bIgger and bigger after each printing such that by the final print it entirely covers the last print. -- Source of annotation: Marvin or Ruth Sackner.

The card is written on the verso of "sixty natural greens," a conceptual art piece. Nannucci asks Williams to make a contribution to his magazine, Mela. -- Source of annotation: Marvin or Ruth Sackner.

Nannucci asks for a new catalogue of deluxe editions of concrete, visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

This is a listing of Nannucci's works available for sale including typewriter poems. -- Source of annotation: Marvin or Ruth Sackner.

Each of 10 cans contained a different color paint. -- Source of annotation: Marvin or Ruth Sackner.

Each of 10 cans contained a different color paint. -- Source of annotation: Marvin or Ruth Sackner.

The keys presumably unlock the door of the museum. The colophon reads, ...is a box of mauricio nannuccci (1971) published by adlers editions in 30 copies signed and numbered in malmo sweden autumn 1983 -- Source of annotation: Marvin or Ruth Sackner.

This proovides a price list for Nannucci's works includung typewriter poems. -- Source of annotation: Marvin or Ruth Sackner.