This is a 1991 limited edition cloisonné pin designed by Weiner, commissioned by the Peter Norton Family Foundation for use as an hors commerce holiday gift. The pin rests in a white (with red lettering) paper sliding matchbox-style enclosure, on a cotton cushion. The pin reads "Stars Don't Stand Still In The Sky For Anybody." The box reads "Stars Don't Stand Still In The Sky" on top the artist's name on one side and the year and edition on the other side. -- Source of annotation: Marvin or Ruth Sackner.

This Christmas gift from Bart consists of instructions on how to mount the given objects that are stored in a red silk bag onto a printed paper base creating a constructivistic minataure landscape. -- Source of annotation: Marvin or Ruth Sackner.

The concrete poem on the title page reads, "The void enclosed by the squares of three four and five." The poem is also reproduced on the back cover in a different shape. -- Source of annotation: Marvin or Ruth Sackner.

A.S.C. Rower is the grandson of the artist Alexander Calder. -- Source of annotation: Marvin or Ruth Sackner.

Dyar has written on the cardboard base, "Rocks, dirt & photos as mail art." -- Source of annotation: Marvin or Ruth Sackner.

Rinder writes in an introductory essay that Jochen Gerz, aka The Berkeley Oracle, "in homage to the questioning spirit of Berkeley in the 1960's, invited questions to be posted on a web-site, hosted simultaneously by the Berkeley Art Museum and the Center for Art and Media...Gerz' piece alludes to the Oracle at Delphi..In the spring of 1998, Gerz selected approximately forty questions from the Berkeley Oracle, printed them out, and placed them in various locales around the Berkeley Art Museum. Some were installed in the galleries, along side works of art, while others were tucked away in unexpected places." The questions are reproduced, one to a single sided transluscent page in this book. The printed red lettered sentences on translucent paper are philosophical questions that might be answered by an oracle. -- Source of annotation: Marvin or Ruth Sackner.

The loose sheets are randomly cut from newspapers in different languages that are published for the most part in New York City. -- Source of annotation: Marvin or Ruth Sackner.

Burtner placed six small squares on eight rows cut from magazines with the page number 13 on each square. The cut up technique, first used by William Burroughs, has inspired the work of many visual poets. Part of his name appears on the second square from the left, first row. Duchamp invented found art, and his name appears in the second square from the right, last row. -- Source of annotation: Marvin or Ruth Sackner.

The introduction was written by Robert Filliou. Each page depicts a grid of images appropriated from an encylopedia. The images are printed in green except for the loose print that in red. The images are captioned by text in the encyclopedia or text added by the authors. -- Source of annotation: Marvin or Ruth Sackner.

The background color of this print is black; the text is the same on all the prints with this title. -- Source of annotation: Marvin or Ruth Sackner.

The print is stamped ARTEXT. The color of the text is orange, the background brown and the border is purple. Presumably, the color schema is unique. The text is the same on all the prints with this title. -- Source of annotation: Marvin or Ruth Sackner.

The print is stamped ARTEXT. The color of the text is purple, the background dark gray and the border is black. Presumably, the color schema is unique. The text is the same on all prints with this title. -- Source of annotation: Marvin or Ruth Sackner.

The print is stamped ARTEXT. The color of the text is yellow, the background dark green and the border is purple. Presumably, the color schema is unique. The text is the same on all prints with this title. -- Source of annotation: Marvin or Ruth Sackner.

The background color of this print is grey; the text is the same on all prints with this title. -- Source of annotation: Marvin or Ruth Sackner.

The print is stamped ARTEXT. The color of the text is yellow, the background green and the border is black. Presumably, the color schema is unique. The text is the same on all prints with this title. -- Source of annotation: Marvin or Ruth Sackner.

The print is stamped ARTEXT. The color of the text is yellow, the background light green and border is purple. Presumably, the color schema is unique. The text is the same on all prints with this title. -- Source of annotation: Marvin or Ruth Sackner.

The print is stamped ARTEXT. The color of the text is dark green; the background light green and border is white. Presumably, the background color is unique. The text is the same on all prints with this title. -- Source of annotation: Marvin or Ruth Sackner.

The print is stamped ARTEXT. The color of the text is black, the background orange and the border is white. Presumably, the color schema is unique. The text is the same on all prints with this title. -- Source of annotation: Marvin or Ruth Sackner.

The print is stamped ARTEXT. The color of the text is black, the background is red and the border is white. Presumably. the color schema is unique. The text is the same on all prints with this title. -- Source of annotation: Marvin or Ruth Sackner.