Conceptual art
Subject Source: LCSH: Library of Congress Subject Headings
Found in 153 Collections and/or Records:
The Disposable History Of The World, 1986
The loose sheets are randomly cut from newspapers in different languages that are published for the most part in New York City. -- Source of annotation: Marvin or Ruth Sackner.
The Exorcism of Page 13 , 1996
Burtner placed six small squares on eight rows cut from magazines with the page number 13 on each square. The cut up technique, first used by William Burroughs, has inspired the work of many visual poets. Part of his name appears on the second square from the left, first row. Duchamp invented found art, and his name appears in the second square from the right, last row. -- Source of annotation: Marvin or Ruth Sackner.
The Green, the Red, the Yellow, the Black, and the White, 1983
The introduction was written by Robert Filliou. Each page depicts a grid of images appropriated from an encylopedia. The images are printed in green except for the loose print that in red. The images are captioned by text in the encyclopedia or text added by the authors. -- Source of annotation: Marvin or Ruth Sackner.
[The Individual Artist's Arrogation..., on black], 1980
The background color of this print is black; the text is the same on all the prints with this title. -- Source of annotation: Marvin or Ruth Sackner.
[The Individual Artist's Arrogation..., on brown], 1980
The print is stamped ARTEXT. The color of the text is orange, the background brown and the border is purple. Presumably, the color schema is unique. The text is the same on all the prints with this title. -- Source of annotation: Marvin or Ruth Sackner.
[The Individual Artist's Arrogation..., on dark gray], 1980
The print is stamped ARTEXT. The color of the text is purple, the background dark gray and the border is black. Presumably, the color schema is unique. The text is the same on all prints with this title. -- Source of annotation: Marvin or Ruth Sackner.
[The Individual Artist's Arrogation..., on dark green], 1980
The print is stamped ARTEXT. The color of the text is yellow, the background dark green and the border is purple. Presumably, the color schema is unique. The text is the same on all prints with this title. -- Source of annotation: Marvin or Ruth Sackner.
[The Individual Artist's Arrogation..., on gray], 1980
The background color of this print is grey; the text is the same on all prints with this title. -- Source of annotation: Marvin or Ruth Sackner.
[The Individual Artist's Arrogation..., on green], 1980
The print is stamped ARTEXT. The color of the text is yellow, the background green and the border is black. Presumably, the color schema is unique. The text is the same on all prints with this title. -- Source of annotation: Marvin or Ruth Sackner.
[The Individual Artist's Arrogation..., on light green/purple], 1980
The print is stamped ARTEXT. The color of the text is yellow, the background light green and border is purple. Presumably, the color schema is unique. The text is the same on all prints with this title. -- Source of annotation: Marvin or Ruth Sackner.
[The Individual Artist's Arrogation..., on light green/white], 1980
The print is stamped ARTEXT. The color of the text is dark green; the background light green and border is white. Presumably, the background color is unique. The text is the same on all prints with this title. -- Source of annotation: Marvin or Ruth Sackner.
[The Individual Artist's Arrogation..., on orange], 1980
The print is stamped ARTEXT. The color of the text is black, the background orange and the border is white. Presumably, the color schema is unique. The text is the same on all prints with this title. -- Source of annotation: Marvin or Ruth Sackner.
[The Individual Artist's Arrogation..., on red], 1980
The print is stamped ARTEXT. The color of the text is black, the background is red and the border is white. Presumably. the color schema is unique. The text is the same on all prints with this title. -- Source of annotation: Marvin or Ruth Sackner.
[The Individual Artist's Arrogation..., on white], 1980
The background color of the print is white; the text is either black or blue. The text is the same on all prints with this title. -- Source of annotation: Marvin or Ruth Sackner.
[The Individual Artist's Arrogation..., on yellow], 1980
The print is stamped ARTEXT. The color of the text is green, the background yellow and the border white. presumably, the color schema is unique. The text is the same on all prints with this title. -- Source of annotation: Marvin or Ruth Sackner.
[The Individual Artist's Arrogation..., photo negative], 1980
This negative was used to print a suite of prints that are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
[The Individual Artist's Arrogation..., transparent], 1980
This print with a graphite border on translucent material has the same text as the other prints with this title. -- Source of annotation: Marvin or Ruth Sackner.
The Magnificent Seven, 2000
The ping pong balls are arranged in a row and are printed with the words Theories, Models, Methods, Approaches, Assumptions, Results, and Findings. -- Source of annotation: Marvin or Ruth Sackner.
The Thing, No. 14: James Franco, 2011
The Thing, No. 16: Dave Eggers - I Am Your Shower Curtain, 2012
The text printed on the shower curtain reads in part, "I am your shower curtain and I am watching you. The fat that you can be here under this falling water! This as much as any other reason, is why you are here, why you visit, To enjoy this, To feel this. It is good enough. Iti is good enoughto justify every thing else. As told to Dave Eggers October 2011." -- Source of annotation: Marvin or Ruth Sackner.