Architecture
Subject Source: LCSH: Library of Congress Subject Headings
Found in 11 Collections and/or Records:
A Proposal for a Private Garden in Germany for Dr Mariana Hanstein, 1989
A Remembrance of R.L.S., 1987
This memorial to Robert Louis Stevenson takes the form of a sacred grove bounded by an ashlar wall on a half circle and by five silver birch trees (Betula pendula) across the diameter. At the foot of the tree trunk is a stone tree column base inscribed with R.L.S. and Stevenson's dates beneath (1850-1894). The site is a Stevenson sanctuary, an area for reflection that is half private and enclosed and half open to the world, just as are Stevenson's writings. -- Source of annotation: Marvin or Ruth Sackner.
Archive for Stuttgart Max Planck Project / Finlay, Ian Hamilton; Costley, Ron., 1972 - 1978
Das heruest hommage à i kant, 1978
The cards deal with building scaffolds. -- Source of annotation: Marvin or Ruth Sackner.
ED 912 Posters (dEDsign, No. 9): Disegno 1 per la Struttura 750 1963, 1967
Gateway to a Grove, 1985
This work is based upon a design by the Elizabethan architect, Inago Jones. -- Source of annotation: Marvin or Ruth Sackner.
Kunst und Architektur, 1981
This book depicts Kriwet's architectural commissions in public spaces both within buildings and outside them. Several involve light or neon formed concrete poetic pieces. -- Source of annotation: Marvin or Ruth Sackner.
Kunst und Architektur, 1981
This book depicts Kriwet's architectural commissions in public spaces both within buildings and outside them. Several involve light or neon formed concrete poetic pieces. -- Source of annotation: Marvin or Ruth Sackner.
Seth Temple Papers
Architect of Davenport, Iowa. These are architectural drawings, and they are not really organized, but they are not exactly unprocessed either. They are kept in three large-size wallet type folders. They are candidates for presesrvation.
The Watts Memorial Chapel-Compton-Surrey first Published in The Architectural Review, 1961, 1998
This is a reprinting of the first commercial print that Furnival made after his graduation from the Royal Academy of Art. -- Source of annotation: Marvin or Ruth Sackner.
