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Music

 Subject
Subject Source: Lcsh: Library Of Congress Subject Headings

Found in 15 Collections and/or Records:

A Modern Master's Poeme Concrete / Kostelanetz, Richard; Cage J., 1990

 Item
Identifier: CC-07913-8067
Scope and Contents

Review of Cage's book, "I-IV." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Arts Magazine. No.4/Dec / Cage J ; Reid J ; Lissitzky E ; Malevich K ; Johnson L., 1986

 Item
Identifier: CC-25069-25522
Dates: 1986
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Associations Commentaries / Cage, John., 1992

 Item
Identifier: CC-55661-9999264
Scope and Contents

This piece deals with body sounds Cage heard during a stay in Harvard University's anechoic chamber. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Blocks of Consciousness and the Unbroken Continuum / Marley, Brian, editor; Wastell, Mark, editor ; Cage J ; Cobbing B ; Marley B ; Metcalfe H ; Pike J ; Tilbury J ; Toop D., 2005

 Item
Identifier: CC-58553-10001777
Scope and Contents Modesti FReviews: Blocks of Consciousness and The Unbroken Continuum explores the work and aesthetic of various cutting edge musicians, environmental/sound artists and noise-makers. As well as profiles of Richard Chartier, The Necks, John Wall and Sachiko M, the book contains explorations of the history and changing nature of free improvisation, of Cage?s iconoclastic 4?33"³, and of where to draw the line (somewhat tentatively, to be sure) between improvisation and composition. There is, in addition, a series of personal statements by almost two dozen musicians, composers and sound artists, collected by Rhodri Davies; and in Out in the Field Bertrand Denzler and Jean-Luc Guionnet interview improvisers about their music and group the anonymised answers thematically. The authors of the principal chapters ? David Toop, Clive Bell, Brian Marley, Dan Warburton, Andy Hamilton and Will Montgomery ? are well-known and respected writers on music/sound.Machines, noise and improvisation are...
Dates: 2005
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Contemporary Music / Edition Peters ; Cage J ; Corner P ; Feldman M ; Glass P., 1979

 Item
Identifier: CC-13571-13874
Dates: 1979
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

Festival Internarional de Musique Experimentale, 7th / Cage J ; Dufrene F ; Lora-Totino A., 1977

 Item
Identifier: CC-11241-11456
Dates: 1977
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

Festival International des Musiques Experimentales, 9th / Hausmann R ; Gomringer E ; Marinetti FT ; Albert-Birot P ; Cage J ; Ruhm G ; Cobbing B ; Schwitters K ; Dufrene F ; Hanson S ; Heidsieck B ; Lora-Totino A ; Chopin H ; Bussotti S ; Kolar J ; deCharmoy C ; Novak L., 1979

 Item
Identifier: CC-10736-10945
Dates: 1979
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

John Cage: An Anthology edited by Richard Kostelanetz / Cage, John ; Satie E ; Hansen A ; Higgins D ; Sumsion C ; Duchamp M ; McLuhan M ; Corner P., 1991

 Item
Identifier: CC-07818-7971
Scope and Contents

This is a reprint of a book first published in 1970, supplemented with a new chronology and catalogues. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

New Musical Resources / Cowell, Henry ; Cage J ; Filliou R ; Brecht G ; Williams E., 1967

 Item
Identifier: CC-18723-19097
Dates: 1967
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

On Innovative Musicians / Kostelanetz, Richard ; Cage J., 1989

 Item
Identifier: CC-08140-8301
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Recordworks of the Avant-Garde / Lake, D & E ; Anderson L ; Eno B ; Burroughs WS ; Cage J ; Feldman M ; Duchamp M ; Huelsenbeck R ; Finley K ; General Idea ; Giorno J ; Hansen A ; Knizak M ; Knowles A ; Nannucci M ; Phillips T ; Ono Y ; Riley T ; Snow M., 1996

 Item
Identifier: CC-29343-30705
Scope and Contents

All items in this catalogue are 12" vinyl recordings issued in an album jacket -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

Singing Through / John Cage; Joan La Barbara., 1990

 Item
Identifier: CC-20220-20616
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Audiovisual Materials

Sound and the Visual Arts / Bosseur, Jean-Yves ; Brian Holmes, translator ; Peter Carrier, translator ; Cage J ; Feldman M ; Mallarme S ; Apollinaire G ; Phillips T ; Furnival J ; Moholy-Nagy L ; Knizak M ; Ori L ; Higgins D ; Isou I ; Lemaitre M., 1993

 Item
Identifier: CC-23929-24377
Scope and Contents

The section on Tom Phillips begins by stating that his work "defies all restrictive notions of style and all bids to establish fixed aesthtic categories...The musical output of Tom Phillips is much more than a side aspect of his activity as a painter in that is lends an original dimension, along experimental lines, to the relation between musician and score...Whenever TP makes artistic use of a notation of a musical instrument, he insinuates an interpretation of both temporal and spacial characte -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

[Untitled] / Giorno Poetry Systems ; Burroughs WS ; Giorno J ; Anderson L ; Cage J ; Gysin B., 1990

 Item
Identifier: CC-10075-10275
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

What Is Body Music? / Jean-Paul Curtay; J Cage., 1981

 Item
Identifier: CC-20010-20399
Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Audiovisual Materials

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