This is the ticket for admission to the concert held at the time of Phillips' exhibition at the Royal Academy of Art. -- Source of annotation: Marvin or Ruth Sackner.

The duplicate record jacket does not have the record. -- Source of annotation: Marvin or Ruth Sackner.

The duplicate record jacket does not have the record. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips illustrated the front cover of music disc by the heavy metal British rock group, "Dark Star," with an altered page from a book that is not identified. He also fragmented the text of this page. He employed "A Humument" style to bring out the poetic line "I am the sun," one of the songs in this disc. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips illustrated the front cover of music disc by the heavy metal British rock group, "Dark Star," with an altered page from a book that is not identified. He also fragmented the text of this page. He employed "A Humument" style to bring out the poetic line "I am the sun," one of the songs in this disc. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips illustrated the front cover with a section from page 25 of an unidentified book, possibly lyrics by this British heavy metal group, "Dark Star." He employed the same source for the tri-fold collage reproduced as a lining for the the inside surface of the folder. The three cards depict visual poetic elements in "A Humument" style, including the same image of page 25 on the cover as well as pages 7 and 11. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips illustrated the front cover with a section from page 25 of an unidentified book, possibly lyrics by this British heavy metal group, "Dark Star." He employed the same source for the tri-fold collage reproduced as a lining for the the inside surface of the folder. The three cards depict visual poetic elements in "A Humument" style, including the same image of page 25 on the cover as well as pages 7 and 11. -- Source of annotation: Marvin or Ruth Sackner.

This was written to accompany Phillips' exhibition during the Van Cliburn competition. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips is listed in this program for the ENO as the translator and designer for Verdi's opera, Otello. He also served as the stage manger. The catalogue reproduces two visual poetic drawings for the opera stage set. The loose folded sheet is a favorable review of the set design and translation by Phillips. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of the program for operas in 2007. The front and back covers are illustrated by Tom Phillips with Humument imagery dealing with opera in the open air. A Humument page is also depicted on page 12. -- Source of annotation: Marvin or Ruth Sackner.

This is the program for the opera based upon Joseph Conrad's novel "Heart of Darkness. Phillips write the libretto and O'Regan composed the music. -- Source of annotation: Marvin or Ruth Sackner.

Lucy O'Brien interviews Phillips and Eno from the time that Tom taught Eno at Ipswich Aart School in 1964 through their artistic and musical relationship of the current times. -- Source of annotation: Marvin or Ruth Sackner.

This card announces the film of the performance of Tom Phillips opera "Irma." The recto of the card depicts Humument imagery and Phillops' "small heads" in grid. The poem reads "look - a film not far from real - a brokem thread of my history. a photograph lyinbg upon a photograph." -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips did the libretto and Gavin Bryars the music for this piece. On the verso of the jacket, Bryars explains how he composed the musical score. A portion of the libretto is also reprinted on the verso. Brian Eno produced the record. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips did the libretto and Gavin Bryars the music for this piece. On the verso of the jacket, Bryars explains how he composed the musical score. A portion of the libretto is also reprinted on the verso. Brian Eno produced the record. -- Source of annotation: Marvin or Ruth Sackner.

The booklet provides documentation of performances of this Opera as well as the libretto. The Sackners were mentioned as one of the project's supporters. -- Source of annotation: Marvin or Ruth Sackner.

The booklet provides documentation of performances of this Opera as well as the libretto. The Sackners were mentioned as one of the project's supporters. -- Source of annotation: Marvin or Ruth Sackner.

Phillips writes about Cage (and could mean himself), "Art is done mostly by one person in a room and artists do not tend to look for heroes among the school-spawning tyrants of new orthodoxies: they seek the individual who offers fresh disciplines of liberty." -- Source of annotation: Marvin or Ruth Sackner.