Scope and Contents

Phullips contributes a long poem to this book that honors the British composer Sir Harrison Birtwistle for the 1995 Ernst xon Siemens Musikpreis. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Phillips' musical compositions in this work, e.g., Golden Flower Piece, Ornamentik, Jigsaw Pieces, Irma, Seven Miniatures, Lesbia Waltz, and Last Notes from Endenich were performed by Mary Wiegold, soprano, and The Composers Ensemble (which included Phillips' daughter Ruth on cello). In the booklet accompanying the compact disc, Phillips provides a brief biography and mentions that in 1975, "Meets Marvin and Ruth Sackner, who found the archive in Miami which now houses most of Phillips's work." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Phillips' musical compositions in this work, e.g., Golden Flower Piece, Ornamentik, Jigsaw Pieces, Irma, Seven Miniatures, Lesbia Waltz, and Last Notes from Endenich were performed by Mary Wiegold, soprano, and The Composers Ensemble (which included Phillips' daughter Ruth on cello). In the booklet accompanying the compact disc, Phillips provides a brief biography and mentions that in 1975, "Meets Marvin and Ruth Sackner, who found the archive in Miami which now houses most of Phillips's work." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The cover of the slipcase of this promotional compact disc is "The Pink Night Trip" installation by Joel Hubaut. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The section on Tom Phillips begins by stating that his work "defies all restrictive notions of style and all bids to establish fixed aesthtic categories...The musical output of Tom Phillips is much more than a side aspect of his activity as a painter in that is lends an original dimension, along experimental lines, to the relation between musician and score...Whenever TP makes artistic use of a notation of a musical instrument, he insinuates an interpretation of both temporal and spacial characte -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Mangan reviews a performance by Joan La Barbara including her "magnum opus, 73 Poems" by Kenneth Goldsmith. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents At the time of this exhibition in 1981, no one was paying attention to the ways in which visual artists were using sound, yet everyone was vaguely aware of it. Suzanne Delehanty and the Neuberger mounted this show, pulling together books, objects, installations, and performance to at least sketch the scope of the idea. There were performances by the Glass Orchestra, and Composers Inside Electronics among others; books and objects by Braque, Duchamp, Dick Higgins, Kandinsky, Alison Knowles, George Macunias, Man Ray, Rauschenberg, Schwitters, and Tinguely and more; instruments/sculptures by Agam, Bertoia, Calder, Paik, and more; installations by Acconci, Anderson, Cage, Monk, Robert Morris, Nauman, and more; and many, many records and tapes by artists including the foregoing, Ono, Dine, Dibbets, LeWitt, and too many to mention (e-mail for specific inquiries). This was in fact a blockbuster, and the catalogue alone serves as one of the best scholarly resources there is on the subject,...

Scope and Contents

This book is a reprinting of the original Score periodicals that are held by the Sackner Archive and is stored adjacent to them.Douglas Kahn wriets in the preface, "Source: music of the avant garde was a beautifully produced publication of new music scores, essays by composers and artists, statements, interviews, artworks, sound and concrete poems, photo essays, circuit diagrams, instrument designs, event reports, documents, and LP recordings. It appeared in eleven large-format issues from 1967 to1973, semiannually in runs of two thousand copies, and became internationally known among all those interested in new music. and related arts at the time. It is now an invaluable historical document - from an exciting period in the arts, technology, culture, and politics - for what is loosely called experimental music, new music, electronic music, and related developments in poetry, visual arts, and intermedia.." -- Source of annotation: Marvin or Ruth Sackner.

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The music was mixed from existing contemporary music. The pamphlet provides a history of artist stamps. The stamp sheets are color photocopies with perforations which were made by several artists. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The music was mixed from existing contemporary music. The pamphlet provides a history of artist stamps. The stamp sheets are color photocopies with perforations which were made by several artists. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Contains three compostions, In Celebration, Speech Songs and The Story of Our Lives that are the product of work with computers in synthetic speech, song and vocal sounds. The loose sheet contains the text of these works. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Contains three compostions, In Celebration, Speech Songs and The Story of Our Lives that are the product of work with computers in synthetic speech, song and vocal sounds. The loose sheet contains the text of these works. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Stored in box containing tape cassette periodicals of Linebreak, Recorthings and Tellus. -- Source of annotation: Marvin or Ruth Sackner.